Jazz Articles

Ted Nash: Portrait in Seven Shades

by David Adler
February 7, 2010

The Jazz at Lincoln Center Orchestra (JLCO) is often derided as a bastion of conservatism, although it's not clear what is conservative about an epic like trumpeter Wynton Marsalis' Congo Square (Blue Note, 2007), with its volleys of Ghanaian percussion and ensemble-singing in the Ga and Fante dialects. For that matter, the JLCO accommodates boundary-pushing musicians like Ted Nash, who holds a multi-woodwinds chair while still doing offbeat work with the likes of bassist Ben Allison and pianist Frank Kimbrough--not ...

Pamela Hines: Twilight World

by Jim Santella
April 28, 2005

Pianist Pamela Hines puts her quartet through a powerfully driven modern mainstream session on Twilight World, which also includes searing ballads and heartfelt blues. With tenor saxophonist Jerry Bergonzi, she interprets a program of pert originals and other fresh themes.

Marian McPartland's “Twilight World" serves as the album's centerpiece, with its flowing melody and light Latin beat. The pianist provides a strong foundation for Bergonzi's articulate tenor, applying sparkling counterpoint that flows naturally. Her solo interludes give each ...

Pamela Hines: Twilight World

by Paul Olson
February 12, 2005

Massachusetts pianist Pamela Hines has an elegantly swinging style with nimble, precise soloing and a great, autonomous left hand. Too bad there's not more of her on her CD Twilight World. She's got a great-sounding supporting cast in drummer Reed Deiffenbach, fretless electric bassist David Hines, acoustic bassist John Lockwood (these two split the album's nine songs between themselves), and tenor master Jerry Bergonzi. So where's Hines?Bergonzi's a journeyman player who knows his way around a tenor as ...