Jazz Articles
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Elliott Sharp: Chansons Du Crepuscule
by Don Phipps
In Chansons Du Crepuscule, the French multi-genre vocalist, harpist, composer and improvisor Helene Breschand hooks up with the multi-genre New York guitarist Elliott Sharp to yield spell-binding music of the first order. This fascinating collaboration crosses musical genres as easily as a nuthatch jumps from a birch tree to a cedar and then to a hickory. But since jazz has elements of all music embedded within its frame work, it's not a significant leap to suggest that Chansons Du Crepuscule ...
read moreCactus Truck: Brand New For China!
by Eyal Hareuveni
John Dikeman is one of the most interesting saxophonists now operating in the Amsterdam scene. He is a charismatic player, well-versed in the legacy of modern and free jazz as his recent releases-- Across the sky, with bassist Raoul Van Der Weide and drummer Klaus Kugel (Not Two, 2012); and Nihil is Now (Stone Floor, 2012), with the Universal Indians trio--testify. Still, it is the Cactus Truck trio that represents Dikeman at his best. This trio-- with ...
read moreKatherine Young's Pretty Monsters: Pretty Monsters
by Troy Collins
Rarely used in jazz and creative improvised music (except by individualists like Karen Borca), the unwieldy bassoon is commonly relegated to the role of a doubling horn, sparingly employed by eclectic multi-instrumentalists like Joseph Jarman and Yusef Lateef for its unusual tonal color. Brooklyn-based bassoonist Katherine Young transcends the instrument's reputation with a shrewd combination of talent and technology; she employs extended techniques and effects pedals to subtly expand the horn's range, as previously revealed on her acclaimed solo debut, ...
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