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The Fox
by Richard J Salvucci
There was once a legendary trumpet player named Jack Purvis who was a disciple of Louis Armstrong. Purvis was an excellent player, but he was in and out of trouble for most of his life. So he spent some time in jail. In fact, so much time that Purvis once led (documented in the Fort-Worth Star Telegram, March 30, 1938) a broadcast from a Texas prison in Huntsville. Purvis led many lives, and was sometimes spotted in odd places like ...
read moreShelly Manne and His Men at the Black Hawk 1
by Richard J Salvucci
For many years, but certainly for most of the '50s and '60s, the top jazz drummer--by public opinion--was Shelly Manne. Although he was typically associated with West Coast Jazz, (a term he disliked), Manne had come West from jny:New York City in the '50s and settled in jny:Los Angeles in the halcyon days of the post-war boom. He was a guy of many parts; he raised horses, had married an ex-Rockette, and become part-owner of what was to become the ...
read moreArt Pepper: Smack Up
by Richard J Salvucci
There are certain players and recordings that make an indelible first impression. The circumstances usually involve a degree of ignorance: Who is that? What is he (or she) doing? How did this recording escape notice when so many others did not? A very personal reaction to Art Pepper. Urgency. Intensity. Listen to me. Before the name, there was the sound and the piercing tone that can only come out of some dark emotional depth. A listener did not ...
read moreCharlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roach: Hot House: The Complete Jazz at Massey Hall Recordings
by Richard J Salvucci
This is the stuff of legend, one for the ages. It all started here; the greatest jazz concert of all time. How many times has the Massey Hall Concert (Toronto, 1953) been described that way? For the average All About Jazz reader, Massey Hall happened before he or she was born. Besides, there were other famous jazz concerts such as The Carnival of Swing (Randall's Island, NY, 1938), Benny Goodman's 1938 Carnegie Hall Concert (that remained unreleased until 1958), Gene ...
read moreWes Montgomery: The Complete Full House Recordings
by Mark Sullivan
Wes Montgomery's original Full House album (Riverside, 1962) comprised six tracks; the 1987 CD edition had nine tracks, with alternate takes plus the addition of Born to be Blue"; the 2007 reissue was expanded to eleven tracks. This complete edition has fourteen tracks, including all of the previously released alternate takes as well as the completely unedited master take of the title tune, with Montgomery's original guitar solo restored. That restoration is the big news for completists but, for everyone ...
read moreDave Brubeck: A Dave Brubeck Christmas
by Mark Sullivan
This was Dave Brubeck's fourth album of unaccompanied solo piano, originally released on Telarc in 1996. As the title implies, Brubeck Plays Brubeck (Columbia, 1956) was devoted to original music and sketches. But all of the others mainly featured the pianist interpreting other people's compositions; in this case, mainly brief treatments of traditional Christmas music and popular standards. Brubeck was after a particular atmosphere: his liner notes describe music as an essential part of Christmas celebrations in his family, with ...
read moreDave Brubeck: A Dave Brubeck Christmas
by Richard J Salvucci
As the end of the year Holidays draw near, it is difficult to avoid a certain cynicism about seasonal music. Take Christmas albums. Some artists have multiple efforts. It is a virtual guarantee that someone at random--say Ferlin Husky--has a Christmas album. A risk-taker could probably safely win a blind wager, because, well, everyone has one. It would take far too much space and patience to provide a sample. Besides, this is about Dave Brubeck. Honestly, some listeners ...
read morePhineas Newborn, Jr.: A World of Piano!
by Richard J Salvucci
Did a critic ever accuse classical concert pianist Martha Argerich of displaying too much technique while playing Ravel? It is hardly an idle question as Argerich, one of the most gifted pianists in history, plays Ravel beautifully precisely because she has the technique to do so. She could not play Sonatine" or Gaspard de la Nuit"--fearsomely difficult, say pianists--if she did not. The beauty is inseparable from the technique; and the technique part of the beauty. This is ...
read moreCurtis Counce: You Get More Bounce With Curtis Counce!
by Richard J Salvucci
When bassist Curtis Counce died of a heart attack at the age of 37 in 1963, the jazz world was deprived of a major talent. Not that one would have known much, for his death, while noted, was not extensively covered. Counce, a Midwesterner, had come to California and to jny:Los Angeles to learn his craft, where he played with such incubator orchestras at the Club Alabam as Johnny Otis (trumpeter Art Farmer started there too). He gigged in the ...
read moreArt Farmer: Portrait of Art Farmer
by Richard J Salvucci
When a recording that is over six decades old sets a listener to thinking many different things, it is clearly something special. Art Farmer was something special. With a bump or two along the way, virtually everyone--except perhaps Art--knew it too. He and his twin brother, bassist Addison Farmer, began their careers in jny:Los Angeles in the '40s, where the Central Avenue bop scene was an especially vibrant and creative one. As if total immersion there was not enough, Art ...
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