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19
Reassessing

The Fox

Read "The Fox" reviewed by Richard J Salvucci


There was once a legendary trumpet player named Jack Purvis who was a disciple of Louis Armstrong. Purvis was an excellent player, but he was in and out of trouble for most of his life. So he spent some time in jail. In fact, so much time that Purvis once led (documented in the Fort-Worth Star Telegram, March 30, 1938) a broadcast from a Texas prison in Huntsville. Purvis led many lives, and was sometimes spotted in odd places like ...

15
Reassessing

Shelly Manne and His Men at the Black Hawk 1

Read "Shelly Manne and His Men at the Black Hawk 1" reviewed by Richard J Salvucci


For many years, but certainly for most of the '50s and '60s, the top jazz drummer--by public opinion--was Shelly Manne. Although he was typically associated with West Coast Jazz, (a term he disliked), Manne had come West from jny:New York City in the '50s and settled in jny:Los Angeles in the halcyon days of the post-war boom. He was a guy of many parts; he raised horses, had married an ex-Rockette, and become part-owner of what was to become the ...

12
Album Review

Art Pepper: Smack Up

Read "Smack Up" reviewed by Richard J Salvucci


There are certain players and recordings that make an indelible first impression. The circumstances usually involve a degree of ignorance: Who is that? What is he (or she) doing? How did this recording escape notice when so many others did not? A very personal reaction to Art Pepper. Urgency. Intensity. Listen to me. Before the name, there was the sound and the piercing tone that can only come out of some dark emotional depth. A listener did not ...

14
Album Review

Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roach: Hot House: The Complete Jazz at Massey Hall Recordings

Read "Hot House: The Complete Jazz at Massey Hall Recordings" reviewed by Richard J Salvucci


This is the stuff of legend, one for the ages. It all started here; the greatest jazz concert of all time. How many times has the Massey Hall Concert (Toronto, 1953) been described that way? For the average All About Jazz reader, Massey Hall happened before he or she was born. Besides, there were other famous jazz concerts such as The Carnival of Swing (Randall's Island, NY, 1938), Benny Goodman's 1938 Carnegie Hall Concert (that remained unreleased until 1958), Gene ...

13
Album Review

Wes Montgomery: The Complete Full House Recordings

Read "The Complete Full House Recordings" reviewed by Mark Sullivan


Wes Montgomery's original Full House album (Riverside, 1962) comprised six tracks; the 1987 CD edition had nine tracks, with alternate takes plus the addition of “Born to be Blue"; the 2007 reissue was expanded to eleven tracks. This complete edition has fourteen tracks, including all of the previously released alternate takes as well as the completely unedited master take of the title tune, with Montgomery's original guitar solo restored. That restoration is the big news for completists but, for everyone ...

5
Album Review

Dave Brubeck: A Dave Brubeck Christmas

Read "A Dave Brubeck Christmas" reviewed by Mark Sullivan


This was Dave Brubeck's fourth album of unaccompanied solo piano, originally released on Telarc in 1996. As the title implies, Brubeck Plays Brubeck (Columbia, 1956) was devoted to original music and sketches. But all of the others mainly featured the pianist interpreting other people's compositions; in this case, mainly brief treatments of traditional Christmas music and popular standards. Brubeck was after a particular atmosphere: his liner notes describe music as an essential part of Christmas celebrations in his family, with ...

15
Album Review

Dave Brubeck: A Dave Brubeck Christmas

Read "A Dave Brubeck Christmas" reviewed by Richard J Salvucci


As the end of the year Holidays draw near, it is difficult to avoid a certain cynicism about seasonal music. Take Christmas albums. Some artists have multiple efforts. It is a virtual guarantee that someone at random--say Ferlin Husky--has a Christmas album. A risk-taker could probably safely win a blind wager, because, well, everyone has one. It would take far too much space and patience to provide a sample. Besides, this is about Dave Brubeck. Honestly, some listeners ...

9
Album Review

Phineas Newborn, Jr.: A World of Piano!

Read "A World of Piano!" reviewed by Richard J Salvucci


Did a critic ever accuse classical concert pianist Martha Argerich of displaying too much technique while playing Ravel? It is hardly an idle question as Argerich, one of the most gifted pianists in history, plays Ravel beautifully precisely because she has the technique to do so. She could not play “Sonatine" or “Gaspard de la Nuit"--fearsomely difficult, say pianists--if she did not. The beauty is inseparable from the technique; and the technique part of the beauty. This is ...

8
Album Review

Curtis Counce: You Get More Bounce With Curtis Counce!

Read "You Get More Bounce With Curtis Counce!" reviewed by Richard J Salvucci


When bassist Curtis Counce died of a heart attack at the age of 37 in 1963, the jazz world was deprived of a major talent. Not that one would have known much, for his death, while noted, was not extensively covered. Counce, a Midwesterner, had come to California and to jny:Los Angeles to learn his craft, where he played with such incubator orchestras at the Club Alabam as Johnny Otis (trumpeter Art Farmer started there too). He gigged in the ...

21
Album Review

Art Farmer: Portrait of Art Farmer

Read "Portrait of Art Farmer" reviewed by Richard J Salvucci


When a recording that is over six decades old sets a listener to thinking many different things, it is clearly something special. Art Farmer was something special. With a bump or two along the way, virtually everyone--except perhaps Art--knew it too. He and his twin brother, bassist Addison Farmer, began their careers in jny:Los Angeles in the '40s, where the Central Avenue bop scene was an especially vibrant and creative one. As if total immersion there was not enough, Art ...


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