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Kurt Rosenwinkel: Undercover: Live At The Village Vanguard
by Chris May
Kurt Rosenwinkel records in a variety of situations, either from inclination or to keep himself and his audience fresh or both. In 2022 alone, he released three unusually diverse albums: Plays Piano, a solo outing on which he plays piano only; The Chopin Project, a co-led disc with pianist Jean-Paul Brodbeck exploring the work of Frederic Chopin; and Berlin Baritone, another solo album, this time playing a baritone guitar. Undercover: Live At The Village Vanguard is back ...
read moreKurt Rosenwinkel: Berlin Baritone
by Dave Linn
Born in 1970, in Philadelphia, Kurt Rosenwinkel began playing guitar at a young age and quickly demonstrated a remarkable talent and an innovative playing style. Later, he studied music at the Berklee College of Music in Boston. It was during this time that he began to attract attention within the jazz community for his unique approach to improvisation and his advanced harmonic concepts. Rosenwinkel left Berklee in his third year to tour with Gary Burton (the dean of ...
read moreKurt Rosenwinkel Trio: Angels Around
by Geno Thackara
However much Kurt Rosenwinkel has audaciously wandered away from familiar tracks in his career, the spirit of jazz has always stayed central to his roots and his playing. For every surprising exploration such as the electronic Heartcore (Verve, 2003) or the richly dense Caipi (Heartcore, 2017), there's been a relatively straightforward jam or standards date for more traditionalist listeners to appreciate. While Angels Around is clearly one of the more traditional ones even at a glance—a simple guitar trio playing ...
read moreKurt Rosenwinkel Trio: Angels Around
by Mark Sullivan
Jazz guitarist Kurt Rosenwinkel's previous album Caipi (Heartcore Records, 2017) was unique in his discography. Not just original music—that was true of many of his previous records—but Brazilian influenced, and featuring his vocals. This set is a call back to the Kurt Rosenwinkel Standards Trio's Reflections (WOMMUSIC, 2009): a selection of mostly modern jazz standards, played by a guitar trio. Here the trio includes Italian bass guitarist Dario Deidda and American drummer Gregory Hutchinson (whose relationship with Rosenwinkel extends back ...
read moreKurt Rosenwinkel Trio: Angels Around
by Phillip Woolever
In addition to recognition among modern jazz's most talented guitarists, Kurt Rosenwinkel has earned a reputation as a thoughtfully skilled interpreter of jazz standards. This stirring release should deservedly elevate his status to even higher levels as bassist Dario Deidda and drummer Greg Hutchinson add punch and precision to every piece. Rosenwinkle revisits classic compositions from six of jazz's most recognized talents, and adds a pair of new songs. While traditional purists may have issues with the transfer of more ...
read morePedro Martins: VOX
by Friedrich Kunzmann
Big things were always going to be expected from Brazilian guitar prodigy Pedro Martins after he won the Montreux Guitar Competition in 2015. Under the guidance of Kurt Rosenwinkel, Martins has grown not only as a guitarist but also as a multi-instrumentalist, singer and composer who has left his very own mark on Rosenwinkel's late Caipi project, live as well as in studio. With Vox he now releases his sophomore album, which is ambitious in its stylistic scope as well ...
read moreKurt Rosenwinkel: Caipi
by Geannine Reid
Guitarist Kurt Rosenwinkel has been at the forefront of shaping what we call jazz today with the help of dynamic peers such as: Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman and Chris Potter. Rosenwinkel's indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off the shoulders of the rich jazz vocabulary and canon as a foundation to stamp out his own musical language. A language that is influenced by ...
read moreKurt Rosenwinkel: Caipi
by Roger Farbey
Ten years in the making and with master guitarist Kurt Rosenwinkel predominantly playing all the instruments (aside from additional contributions from notable guests such as Mark Turner on tenor saxophone and Eric Clapton on “Little Dream"), this is an intriguingly fine album of light, but not lightweight, tracks. Opening with a distinctly Brazilian feel on the title track, its successor, “Kama," is characterised by falsetto, slightly tremulous vocals and legato violin from Frederika Krier. Typically, the pop/rock element ...
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