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Keith Tippett: Mujician Solo IV – Live in Piacenza
by Duncan Heining
From its opening notes, it is apparent that Keith Tippett's first solo recording in fifteen years is something very special indeed. Tippett has always been a player with a talent for musical pyrotechnics, cascades of notes--triplets, trills, mordants and arpeggios-colliding with mighty tone clusters. But equally, he has also been an artist of great emotional subtlety and depth. Both these qualities are in evidence here. For much of the record, the sense is less that of Rachmaninov, more that of ...
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