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Album Review

Konstrukt: Molto Bene

Read "Molto Bene" reviewed by Mark Corroto


Many listeners still cannot fathom the concept of Turkish free jazz. Consider though, the origins of free jazz both in North American. The United States claims John Coltrane, Ornette Coleman, Sun Ra, Albert Ayler, and Cecil Taylor. But let us recognize that Europe produced Evan Parker (England), Bengt Nordström (Sweden), John Tchicai (Denmark), Peter Brötzmann (Germany), and Han Bennink (The Netherlands). Moreover, consider Ayler spent many years in Sweden, Coleman performed with the Master Musicians Of Jajouka, Taylor's ...

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Album Review

Virginia Genta: Rough Enough

Read "Rough Enough" reviewed by Nicola Negri


Virginia Genta is a young Italian saxophonist that has already established herself on the international free jazz scene with the hard working, constantly touring Jooklo Duo (with David Vanzan on drums) and through countless collaborations with important figures in improvised music, from Sonny Simmons and Famoudou Don Moye to Thurston Moore and Kawabata Makoto. This new record--about 10 minutes of music released in a beautifully packaged 7" on Holidays Records--consists of a solo tenor sax improvisation referencing both 1960s Fire ...

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Album Review

Konstrukt & Peter Brötzmann: The Message: Live At Kargart

Read "The Message: Live At Kargart" reviewed by Mark Corroto


Breathe, just keep breathing, you tell yourself as the latest offering from the free jazz saviors spins on the turntable. Pressed in an edition of just 200 LPs, The Message: Live At Kargart is a treasure of sound. Actually it is more than just sound, it is an independent self-contained space craft carrying music from a future. A time once prophesied by the likes of John Coltrane & Rashied Ali, Frank Lowe, Sunny Murray, The Art Ensemble of Chicago, and ...

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Album Review

Konstrukt and William Parker: Live At NHKM

Read "Live At NHKM" reviewed by Mark Corroto


Let me propose the notion that American poet Emily Dickinson was a free jazz fan. Sure, you have to look past the fact that she died in 1886, when Buddy Bolden was but nine years old. But consider her words: “The worthlessness of Earthly things/The Ditty is that Nature Sings -/And then -enforces their delight/Til Synods are inordinate." She wrote about, and lived in a world much like that of a free jazz musician. Stowed away in her little house, ...


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