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Album Review

Omar Sosa & Seckou Keita: Transparent Water

Read "Transparent Water" reviewed by Dan Bilawsky


Omar Sosa would make an excellent global ambassador. He seems to make friends and erase boundary lines wherever he goes. Back in 2012, the Cuban pianist connected with Senegalese kora guru Seckou Keita through a mutual musical associate--drummer Marque Gilmore. Sosa and Keita struck up a quick friendship at that initial meeting, ultimately leading to the creation of this radiant collaboration. They laid down the basic tracks for the project in 2013 and added some other worldly (and otherworldly) voices ...

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Album Review

Omar Sosa & Seckou Keita: Transparent Water

Read "Transparent Water" reviewed by Roger Farbey


Cuban Pianist Omar Sosa and Senegalese kora player and vocalist Seckou Keita have assembled an extraordinary album seamlessly melding Latin American and West African music. Additional guest instrumentalists bring with them a host of other sounds predominantly emanating from the Far East. The koto is a traditional Japanese stringed instrument whilst the sheng is a Chinese mouth-blown free reed instrument consisting of vertical pipes. The bawu is a Chinese wind instrument and the geomungo is a traditional Korean type of ...

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Album Review

Gilad Atzmon And The Orient House Ensemble: Songs Of The Metropolis

Read "Songs Of The Metropolis" reviewed by Bruce Lindsay


The metropolis is central to the life of a jazz musician. It's where the work is, where the conservatories are, where the music emerged and developed. Gilad Atzmon, the saxophonist and composer who's been described as the hardest working man in UK jazz, writes that Songs Of The Metropolis is “A pursuit of the sound of the city." It's a pursuit that takes him to seven of the world's most famous cities, to a small English seaside town and to ...

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Album Review

Amira Medunjanin: Amulette

Read "Amulette" reviewed by Nejra Majdanac


Singer Amira Medunjanin's third studio album, Amulette, consists of ten Songs from Bosnia and Herzegovina, Kosovo, Macedonia and Serbia, all combining the beauty of cultural musical differences. She has come a long way since her debut, Rosa (Snail Records, 2005), recorded with Mostar Sevdah Reunion and her follow-up. Zumra (World Village, 2010), her collaboration with accordionist Merima Kljuco.Unlike those first two, Amulette is edgier, with inventive arrangements and a lot of emotion. Producer/keyboardist Bojan Z (Zulfikarpasic) has truly ...

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Album Review

Kayhan Kalhor & Ali Bahrami Fard: I Will Not Stand Alone

Read "I Will Not Stand Alone" reviewed by Eyal Hareuveni


Iranian kamanche virtuoso and innovative composer Kayhan Kalhor is known for his international collaborations with cellist Yo Yo Ma and the Silk Road Ensemble, the Persian-Indian ensemble m: Ghazal = 23569, and the Brooklyn Rider string quartet . I Will Not Stand Alone, is a spellbinding meditation on one of the most difficult stages in his life. Kalhor was part of the Green Movement civil uprising in Tehran, which was later squashed by the Iranian regime after disputed national elections. ...

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Extended Analysis

Omara Portuondo & Chucho Valdes: Omara & Chucho

Read "Omara Portuondo & Chucho Valdes: Omara & Chucho" reviewed by Chris May


Omara Portuondo and Chucho ValdésOmara & ChuchoWorld Village2011 After 50 years of carrying a torch for Bueno Vista Social Club singer Omara Portuondo, pianist Chucho Valdés has finally succeeded in getting her into bed. The rear sleeve photo on Omara & Chucho shows the pair side by side between the sheets and smiling broadly, although, admittedly, both appear to be clothed, and are mugging it up for the camera. ...

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Album Review

Gilad Atzmon and The Orient House Ensemble: The Tide Has Changed

Read "The Tide Has Changed" reviewed by Bruce Lindsay


The genre-conflating musical behemoth that is the Orient House Ensemble, led by multi-instrumentalist, composer, essayist and political commentator Gilad Atzmon, celebrates its 10th anniversary with the release of its seventh album, The Tide Has Changed. Funny, eerie, romantic and intriguing by turns, this is a work of tremendous warmth and strength. Atzmon's spirit and soul inhabit every one of his compositions, and his playing is truly exceptional, staking a genuine claim to being one of the finest saxophonists in contemporary ...

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Album Review

Catherine Russell: Inside This Heart Of Mine

Read "Inside This Heart Of Mine" reviewed by Marcia Hillman


Singer Catherine Russell covers a lot of jazz territory on her new CD--performing material from vaudeville, Tin Pan Alley, New Orleans, Delta blues, the Swing Era and the Django-esque '30s. Accompanying her on this journey is a full battery of musicians that replicate the sounds of each of the styles covered: musical director Matt Munisteri (guitar and banjo), Mark Shane (piano), Lee Hudson (bass), Brian Grice (drums), Jon-Erik Kellso (trumpet), John Allred (trombone) and Dan Block (saxophone and clarinet) complete ...

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Album Review

Catherine Russell: Sentimental Streak

Read "Sentimental Streak" reviewed by Karen Hogg


Sentimental Streak, the sophomore effort from singer Catherine Russell, is a paean to both her musical and familial heritage. For Russell, the two are inextricably intertwined; her father, the late pianist Luis Russell, was the long-time musical director for Louis Armstrong while Carline Ray, Russell's mother, is an accomplished guitarist, bassist and vocalist who has performed with Doc Cheatham and Wynton Marsalis, among others.

Produced by multi-instrumentalist Larry Campbell, the CD has a warm, live feel ...

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Album Review

Son De La Frontera: Son De La Frontera

Read "Son De La Frontera" reviewed by Chris May


Son De La Frontera's radical ambition on this album is simultaneously to look forwards and backwards--forward to Andalusian retentions in modern Latin American music, back to flamenco's own birth in Moorish music ("Moorish" in a flamenco context being a description as approximate as Jelly Roll Morton's “Spanish tinge," encompassing a diversity of North African and Levantine styles). The roots flamenco quintet succeeds brilliantly and thrillingly, particularly in its rediscovery of flamenco's deepest Gypsy roots in ancient North Indian and Afghani ...


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