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Janet Marlow: Good Company
by AAJ Staff
When it starts, you hear synthesizers and plaintive guitar – the start of a typical “smooth” album. Then the theme closes with a catchy three-note pattern and the guitar gets louder. Alex Foster’s alto enters the picture, and the theme seems stronger; the synthesizer also makes like plucked strings. The guitar solo is high and piercing, musing with the slightest touch of urgency. It’s a pure sound with a touch of the Byrds’ classic tone. When the theme returns, the ...
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