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ALBUM REVIEWS

Chris Pasin: Ornettiquette

Read "Ornettiquette" reviewed by Mark Corroto

Included on an album dedicated to the legendary Ornette Coleman, it is “Ghosts," a composition by saxophonist Albert Ayler. Trumpeter Chris Pasin assembled an impressive collection of musicians to record Ornettiquette with Karl Berger and vocalist Ingrid Sertso, both connected to the 1960s revolution through their work with Coleman and Don Cherry. In addition, there's saxophonist Adam Siegel, drummer Harvey Sorgen, and heavyweight bassist Michael Bisio.The Ayler connection is arrived at here from Don Cherry's tenure with Ayler's ...

ALBUM REVIEWS

Chris Pasin: Ornettiquette

Read "Ornettiquette" reviewed by Chris Mosey

It's amazing how quickly what was billed as the future of jazz became its past. In 1959 when saxophonist Ornette Coleman released his third album, he wanted to call it Focus On Sanity. Instead, at the insistence of Atlantic producer Nesuhi Ertegun, it was portentously titled The Shape Of Jazz To Come. Other musicians took heed and the free jazz movement was born. Commercially this was a disaster for jazz, with record buyers deserting the music en ...

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Diane Moser: Birdsongs

Read "Birdsongs" reviewed by Jerome Wilson

There is a tradition of composers finding inspiration in the songs of birds. Olivier Messiaen did it in the classical realm and Eric Dolphy did it in the jazz world. Pianist Diane Moser follows in that tradition on this CD, turning birdsong into a bevy of haunting compositions both for solo piano and the trio of piano, flute and bass. Many of these pieces start out as twittery, piping bird imitations but eventually morph into solid jazz rhythms. ...

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Bill Warfield: For Lew

Read "For Lew" reviewed by Jack Bowers

The “Lew" referred to on Renaissance man Bill Warfield's latest big-band album, For Lew, is the late trumpeter Lew Soloff, whom Warfield remembers in the liner notes as “my mentor, colleague, friend and inspiration." The inspiration arrived when the teen-age Warfield, who had switched from trumpet to piano after losing his front teeth in an auto accident, heard Soloff's memorable solo on “Spinning Wheel" by the group Blood, Sweat & Tears. “I decided at that point," Warfield writes, “that I ...

ALBUM REVIEWS

Diane Moser: Birdsongs

Read "Birdsongs" reviewed by Troy Dostert

While she hasn't gotten quite the recognition she deserves, pianist/composer Diane Moser has steadily released a series of fine recordings over the last couple decades. Her 17-piece Composers Big Band recorded Live at Tierney's Tavern in 1999 (on the New Arts label), but she's also made some excellent smaller-group records, some of which have featured some pretty illustrious company, such as bassist Mark Dresser, drummer Gerry Hemingway and multi-reedist Marty Ehrlich--all of whom are featured on her superb quintet album ...

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Chris Pasin: Baby It's Cold Outside

Read "Baby It's Cold Outside" reviewed by Dan Bilawsky

Chris Pasin clearly buys into the idea that spreading holiday cheer with and for those who are near and dear is a beautiful manifestation of the Christmas spirit. For Baby It's Cold Outside the veteran trumpeter gathered seven of his musical chums and put together a program of tried-and-true yuletide nuggets, remaining loyal enough to the templates while also juicing the mix. Six different personnel configurations are in play across this album's eleven tracks--everything from a Patricia ...

ALBUM REVIEWS

INNERrOUTe: Fourmation

Read "Fourmation" reviewed by John Ephland

Starting with keyboardist Joe Vincent Tranchina's steady, alarming tone, Fourmation suggests an emergency of some kind. “Consensual Motion" gradually includes the other three members entering the fray, a fray that's loose and free-form, and eventually calming, not to mention a little bit funky. Michael D'Agostino's drum fills combine with Bill McCrossen's probing basslines to form a rhythmic framework for trumpeter Rick Savage to follow suit, his tone softer, more meditative even as it follows a similar probing trajectory.


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