Jazz Articles
Our daily articles are carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our future articles page. Read our daily album reviews.
Sign in to customize your My Articles page —or— Filter Article Results
Dwight Trible: Ancient Future
by Chris May
This adventurous album takes spiritual jazz's premier vocalist out of his comfort zone and into the deep blue yonder. It is a work of extremes, beginning with a storm of avant-rock, funk and electronics and ending by spinning off into abstract space accompanied by a virtual headful of Stanley Owsley's finest. In short, Ancient Future will shave your ass. The album is the follow-up to Trible's outstanding Mothership (Gearbox, 2019), but aside from being on the same ...
read moreBinker Golding: Dream Like A Dogwood Wild Boy
by Karl Ackermann
Acknowledged as one of the top UK saxophonists since the 2010s, Binker Golding established himself as half of the duo Binker and Moses with drummer Moses Boyd. On the same Gearbox Records label, Golding issued his first solo album Abstractions of Reality Past & Incredible Feathers in 2019. A departure from the uninhibited free improvisation and lashing dance rhythms that Binker and Moses are known for, Abstractions... featured a less raw, sophisticated hard bop vibe. Golding's latest, Dream Like a ...
read moreBinker & Moses: Feeding The Machine
by Karl Ackermann
After saxophonist Binker Golding and drummer Moses Boyd released their debut album, Dem Ones (Gearbox Records, 2015), the duo earned the U.K. Jazz FM Awards' “Best Jazz Act" trophy (2016). Unquestionably the soul of their own machine, Binker and Moses have rarely functioned simply as a duo. By their second Gearbox release, Journey To The Mountain Of Forever (2017), they had added a guest roster including Evan Parker, Sarathy Korwar (Ill Considered), harp, trumpet, and additional percussionist. The two subsequent ...
read moreBinker & Moses: Feeding The Machine
by Chris May
Many of us who are fully paid-up intravenous-feed junkies for Binker and Moses would be happy if the semi-free London duo stuck to their well-honed paradigm of acoustic visceralism until The Time Of The Last Persecution. Tenor saxophonist Binker Golding and drummer Moses Boyd, however, have been restless for a while, wanting to reconfigure their music. With Feeding The Machine they have done so, and radically, making electronicist Max Luthert an equal partner in this, their fifth full-length album.
read moreBinker & Moses: Feed Infinite
by Chris May
For a nutritious seasonal feast, forget the Holiday dreck that swamps the jazz world every December and instead get your gnashers round London-based semi-free duo Binker & Moses' single “Feed Infinite." Having released four outstanding albums (two studio and two live) since 2015, tenor saxophonist Binker Golding and drummer Moses Boyd have been looking to tweak their paradigm and “Feed Infinite" maps out a possible new trajectory. The track retains the duo's raw, romping, in-the-moment, acoustic visceralism ...
read moreAbdullah Ibrahim: Solotude
by Gareth Thompson
Abdullah Ibrahim once told a seminar at his M7 Academy in Cape Town, “The devil lives on the stage. This is where the ego comes out." On the strength of Solotude, recorded live on his eighty-sixth birthday, Ibrahim has crushed such personal demons and now lets angels guide his performing. One takes his point though, given that even the most spiritual music needs some sense of conceit to create and promote it. But this is an artist with nothing left ...
read moreGraham Costello's Strata: Second Lives
by Gareth Thompson
A top German physiologist once compared the brain's nerve fibres to a piano's keys, on which our thoughts play or strike. Scottish drummer and composer Graham Costello might relate to this, given how well he writes for the piano, as he explores themes of mental challenges on this second album with his excellent band Strata. How we face inner hurdles to reach the other side preoccupies Costello here, though he also toys with notions of heritage and identity. ...
read moreBinker and Moses: Escape The Flames
by Chris May
The audio equivalent of a novel by Neil Gaiman, tenor saxophonist Binker Golding and drummer Moses Boyd's semi-free duo Binker and Moses is still, five years after its launch in 2015, the most fantastical sound to come out of London's alternative jazz scene. Packed with as many thrills and spills and steam-punk magick spells as, say, Gaiman's London-set Neverwhere, Binker and Moses is a similarly unputdownable page-turner--but unlike Gaiman, Golding and Boyd are prepared, thank God, to release sequels.
read moreAlan Wakeman: The Octet Broadcasts 1969 and 1979
by Chris May
Despite a perception fostered by the more breathless media coverage given to the young lions who have emerged on the London scene since the mid 2010s, an identifiably British strand of jazz did not kick off when Shabaka Hutchings' Sons Of Kemet released its debut album in 2013. The groundwork was laid back in the 1950s by musicians such as saxophonist Joe Harriott and pianist Stan Tracey. In the 1970s, two bandleaders who carried the torch for ...
read moreCharles Tolliver: Connect
by Chris May
Put out more flags. Connect, the first release from trumpeter Charles Tolliver in over a decade, is a monster. From the Saturday-night goodtime opener “Blue Soul" through to the intense, Spanish tinged, serpentine closer “Suspicion," the album finds Tolliver still at the top of his game in a recording career which began in the mid 1960s. He fronts a US quintet which brings with it the grit and groove of a mid-1960s Blue Note hard-bop band while sounding totally 2020. ...
read more
Giveaway
Days remaining: 12
