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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.
Daniel Thatcher: Waterwheel
by Dan McClenaghan
The two electric guitars, bass and drums ensembles played a big part in shaping popular music. The early 1960s saw the Beatles walk this road. The Rolling Stones rolled that way, too. And prior to that British Invasion, we had the “instrumental rock sound” of groups like The Chantays in 1964 with “Pipeline," The Surfaris, Dick Dale and the Del-Tones, and The Ventures, all groups that fit into the surf rock genre. From there we can go back to Link ...
read morePeter DiCarlo: Onward
by Friedrich Kunzmann
On his debut record, New York-based alto saxophonist Peter DiCarlo establishes himself as a serious straight-ahead composer who skillfully combines an elegant alto tone with intricate reed and horn arrangements that are propelled forward by a swinging rhythm section. Dominated by a majority of self-penned hard and post-bop scores, Onward—in accordance with its title—pushes last century's idioms into this one, exploring new and exciting territory that neither defies tradition, nor resists its modern environment. Swing is affirmed in ...
read morePeter DiCarlo: Onward
by Jack Bowers
New York City-based alto saxophonist Peter DiCarlo makes a lot of winning moves on his debut album, Onward, and a couple that seem more puzzling than perceptive. More about them later. First, it should be noted that DiCarlo is a virtuosic player with a burnished sound and enough improvisational ammunition in his arsenal to guide him safely through any encounter, no matter how unforeseen or perilous. He is also a splendid writer whose five original compositions here serve to enhance ...
read moreAndrew Green: Dime Dancing: The Music Of Steely Dan
by Mark Sullivan
It is not hard to imagine jazz versions of Steely Dan songs, as they are rich in knotty harmonies and dark lyrics that belie their mainstream pop success. But you would probably have to be guitarist Andrew Green to imagine them arranged for chamber ensembles dominated by woodwinds and strings (as well as vocalist Miriam Waks and Green's guitar). Ironically, Green's dramatic departure from the iconic recordings grew out of his love for them: he was convinced that no rock ...
read moreTony Barba: Blood Moon
by Friedrich Kunzmann
Madison-based saxophonist Tony Barba is a sonic chameleon, able to wrap catchy melodic themes around a variety of different genres. His ear for melodies is on full display on his newest outing for the Midwestern label Shifting Paradigm Records. In interplay with Chicagoan guitarist Matt Gold and the Madison-based rhythm section of John Christensen on bass and Devin Drobka on drums, Blood Moon sees Barba drawing from reggae as much as from pop and country, together interpreted with jazzy sensibilities ...
read moreJamie Breiwick: Awake: The Music of Don Cherry
by Mark Sullivan
Trumpeter and multi-instrumentalist Don Cherry is best known for his long association with composer/saxophonist Ornette Coleman. But he also had a diverse career as a bandleader and composer in his own right, and was especially prominent in the fusion of jazz and world music. Wisconsin-based trumpeter Jamie Breiwick mostly draws from Cherry's solo repertoire for this set--with the addition of one Coleman composition--also using the pocket trumpet (which Cherry often played) on some tracks. Capturing Cherry's spirit requires ...
read moreJC Sanford Quartet: Keratoconus
by Friedrich Kunzmann
A bubbling ostinato on trombone to the right. Treble register double-bass lines join in the middle. Muffled electric-guitar riffs imitate the same to the left--the guitar's dry tone seemingly hailing straight from a rustic 1960s Telecaster. Drums start banging ahead relentlessly; not in a constant motion though--they stop and go and stop and go, unsure whether what they're doing is allowed or not. They all decide it's fine, let's go ahead with it. This is rock and roll. It's rudimentary ...
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Cleveland Time by Matthew Alec
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