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10
Album Review

Ulysses Owens, Jr. and Generation Y: A New Beat

Read "A New Beat" reviewed by Jack Bowers


The rhythms presented on award-winning drummer Ulysses Owens Jr.'s latest album are not exactly A New Beat, as they have been heard in various configurations for at least eighty years or more, but they do provide a plausible indication of the path that Art Blakey's legendary Jazz Messengers would presumably have followed had Blakey lived into the twenty-first century. Owens, who teaches at the Juilliard School in New York City, has a knack for spotting and encouraging ...

17
Album Review

Charles Chen: Charles, Play!

Read "Charles, Play!" reviewed by Jack Bowers


Pianist Charles Chen makes his recorded debut and confidently answers the command on Charles, Play!, a splendid quartet date on which he is ably supported by veteran tenor saxophonist Ralph Moore and the peerless rhythmic tandem of bassist Peter Washington and drummer Kenny Washington. Chen wrote four of the album's nine engaging numbers and had the good sense to pair them with three pleasurable standards and tantalizing originals by Charlie Parker ("Passport") and Cedar Walton (the closing ...

13
Album Review

Ulysses Owens, Jr. and Generation Y: A New Beat

Read "A New Beat" reviewed by Glenn Astarita


A New Beat, crafted by the multi-Grammy award-winning drummer Ulysses Owens Jr. and his Generation Y outfit, materializes as a vivid emblem of jazz's evolving dynamics. This album, an amalgamation of nine tracks, epitomizes the fusion of classic jazz standards with inventive perspectives. Among its highlights, “Bird Lives" notably shines for its technical brilliance and tribute to jazz icons, striking a harmonious balance between honoring the past and embracing the new. This track, alongside the production's repertoire, demonstrates the ensemble's ...

14
Album Review

Atley King: Unconditional

Read "Unconditional" reviewed by Jack Bowers


Unconditional is the debut recording as leader by Atley King who is described in a press release as “Canada's leading young jazz vibraphonist." While that portrayal may or may not be true--not to mention gratuitous--King is very good, as are the members of his admirable quintet. Besides playing splendidly, King wrote the first eight of the album's nine selections, closing with John Coltrane's soulful “Naima." His compositions are fine, albeit more or less generic--that is to say, ...

22
Album Review

Xaver Hellmeier: X-Man in New York

Read "X-Man in New York" reviewed by Jack Bowers


Drummer Xaver (X-Man) Hellmeier has been little known to date outside his native Germany and other European countries. One way to help redress that oversight is to surround oneself with some of the most well-respected and talented musicians on the New York scene, which is what Hellmeir has done on his superb debut album, X-Man in New York. When it comes to choosing sidemen, it is hard to belie the inclusion of trumpeter Jeremy Pelt, tenor saxophonist Eric Alexander, pianist ...

24
Album Review

Cory Weeds: Home Cookin'

Read "Home Cookin'" reviewed by Jack Bowers


On Home Cookin', his second recording with an eleven-piece “little big band," tenor saxophonist Cory Weeds is doing the best he can. Really. As Weeds writes in the liner notes, the plan was to rehearse the band for two nights at Frankie's Jazz Club in Vancouver, Canada, home to Weeds and most of the band's personnel, then to convene at the Warehouse Studio on Sunday to record. Arriving at the club on Friday evening, Weeds found to his dismay that ...

27
Album Review

Bernie Senensky: Moment to Moment

Read "Moment to Moment" reviewed by Jack Bowers


Canadian pianist Bernie Senensky's latest album, Moment to Moment, encompasses two quartet sessions recorded almost twenty years apart: the first in 2001, the second (live) in 2020. While the rhythm sections differ on each, the one constant (aside from Senensky) is the acclaimed tenor saxophonist Eric Alexander. If you are planning to have only one constant, Alexander is by any measure a superlative choice. Alexander, whose solos are models of creativity and eloquence, seems to light a ...

6
Album Review

Bernie Senensky: Moment to Moment

Read "Moment to Moment" reviewed by Pierre Giroux


Bernie Senensky is a nuanced and adaptable pianist. Throughout his career he has shown an unparalleled improvisational approach to the material he chooses that crosses borders and generations. In this current release, entitled Moment to Moment, the music comes from two performance opportunities, from 2001 and 2020, and is anchored simultaneously historically and from the future. Joining Senensky in this back-to-the-future encounter are tenor saxophonist {[Eric Alexander}}, bassists Kieran Overs and Dave Young, as well as drummers Joe Farnsworth and ...

32
Album Review

John Lang: Earotica

Read "Earotica" reviewed by Jack Bowers


There's something special about a nonet: small enough to have its own personality, yet large enough to sound at times akin to a full-size big band. Bassist John Lang leads a first-class nonet on Earotica, his fourth album as leader. Having given Lang's last disc a rather lukewarm appraisal almost two years ago, it is a pleasure to note that his new album is superior in every respect. Gone are the desultory funk and rock beats, replaced ...

37
Album Review

Joel Haynes: The Return

Read "The Return" reviewed by Jack Bowers


The Return! is certainly well-named, as it is drummer Joel Haynes' third album as leader of his own group but the first in fifteen years, following Cellar Music recordings The Time Is Now (2005) and Transitions (2008). During his long absence from a recording studio, however, Toronto-based Haynes has managed to stay busy, performing with many of the finest jazz artists in Canada and appearing at jazz festivals and other events in North and South America, the Caribbean and Europe. ...


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