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6
Album Review

Randy Napoleon: The Door is Open: The Music of Gregg Hill

Read "The Door is Open: The Music of Gregg Hill" reviewed by Paul Rauch


In and around the formidable jazz studies program at Michigan State University is a plethora of jazz talent devoted to instrumental and compositional excellence. Most of this talent is young, benefiting from a wide array of world-class instructors that includes program director Rodney Whitaker and veteran guitarist Randy Napoleon, among other notables. Within this labyrinth of jazz wisdom in the Detroit / Lansing metroplex is composer Gregg Hill, a former truck driver and tech entrepreneur whose performing ambitions were superseded ...

7
Album Review

Darden Purcell: Love's Got Me in a Lazy Mood

Read "Love's Got Me in a Lazy Mood" reviewed by Geannine Reid


Darden Purcell's album Love's Got Me In A Lazy Mood (OA2 Records, 2023) shows her keen ear for the subtleties and nuances which define the West Coast cool jazz vocal sound. Purcell's album comprises eleven tracks which blend the laid-back, sophisticated rhythms and melodic inventiveness that characterize the style with beautiful singing and nimble playing. Purcell is joined by an ensemble of musicians whose contributions are pivotal to the album's charm and success. On six tracks the ensemble ...

6
Liner Notes

Francesco Crosara: Circular Motion

Read "Francesco Crosara: Circular Motion" reviewed by David Adler


"I refuse to be labeled a 'straight-ahead' player or a 'fusion' player," says Italian-born, Seattle-based pianist Francesco Crosara. It's a sentiment widely shared by jazz musicians, though they follow many different roads to get to that place. Crosara, for his part, plays both acoustic piano and Yamaha MODX-8 synthesizer on this absorbing, varied program of original music for three different trio lineups, two of them with electric bass. He cites the influence of Chick Corea, a mentor and family friend ...

4
Liner Notes

Jun Iida: Evergreen

Read "Jun Iida: Evergreen" reviewed by Gary Fukushima


They are everywhere, dotting the undulating terrain of the great Pacific Northwest, from the winding, twisting shorelines of Puget Sound to the mountains that rise in the distance in every direction: the Olympics to the west, the Cascades to the east, Mt. Baker to the north and the majestic Rainier to the south. The trees are a constant, comforting blanket over this land, ever-present, ever-green. Jun lida has called this place home for the past three years, another ...

8
Album Review

Jun Iida: Evergreen

Read "Evergreen" reviewed by Nicholas F. Mondello


Evergreen from trumpeter/flugelhornist Jun Iida is a textural panorama of multi-cultural jazz flavors, offering original and known fare. Each of the ten tracks is a portrait, and they display fine solo and ensemble playing. To describe Evergreen in one word is to call it “intriguing." “Gooey Butter Cake," one of six originals from Iida, opens things in a jovial, hippity-hop, jny: New Orleans-esque groove which develops into a trumpet-bass solo ride, with solos following from pianist Josh Nelson ...

33
Album Review

Russell Kranes/Alex Levine/Sam Weber/Jay Sawyer: Anchor Points

Read "Anchor Points" reviewed by Jack Bowers


No leader is given on Anchor Points, simply the names of the four musicians who comprise the group on its debut recording. This is truly a co-op enterprise by jazz artists who have been performing together for a number of years in and around the New York City area. The studio session is divided roughly in half, with four numbers by a quartet balancing four others by a drummerless trio, a nod to similar groups once led ...

38
Album Review

Ted Piltzecker: Vibes on a Breath

Read "Vibes on a Breath" reviewed by Jack Bowers


Even though Ted Piltzecker is a splendid vibraphonist and ushers a group of Colorado's leading jazz musicians through its paces on Vibes on a Breath, it is his sparkling arrangements that carry the day on this delightful new album. Several members of Piltzecker's septet double, and he makes the most of that versatility, writing charts that bring to the fore John Gunther's bass clarinet, Wil Swindler's baritone sax and (on the closing number) Judith Leclair's bassoon and Javier Diaz's percussion. ...

3
Liner Notes

Frank Kohl: Pacific

Read "Frank Kohl: Pacific" reviewed by Bill Milkowski


An old adage maintains that New York City is the Jazz capital of the world. While that may still ring true, there are fertile jazz scenes scattered all over the country where plenty of potent players have been flying under the radar. Seattle guitarist Frank Kohl, who has been quietly going about the business of making beautiful music for four decades, is one such prodigious talent deserving of wider recognition. An accomplished player who sites Wes Montgomery, {{Pat Martino, George ...

7
Album Review

Ben Winkelman: Heartbeat

Read "Heartbeat" reviewed by Neil Duggan


Awaiting the arrival of his first child while locked down in New York City during the pandemic were probably not the circumstances which pianist Ben Winkelman would ideally have chosen for writing new music. Nonetheless, taking inspiration from the anticipation of fatherhood and the feeling of isolation acted as the catalyst for the nine compositions which make up his sixth album, Heartbeat. His previous albums focused on a piano trio format; this one marks a slight change as ...

22
Album Review

Paul Tynan & Aaron Lington: Bicoastal Collective: Chapter Six

Read "Bicoastal Collective: Chapter Six" reviewed by Jack Bowers


In jazz terms, trumpeter Paul Tynan and baritone saxophonist Aaron Lington's Bicoastal Collective is a long-running series, as this marks the sixth recording produced during their sixteen-year partnership. As Chapters One to Five were splendid, it might have been advisable to close the book there. However, Tynan and Lington have chosen to forge ahead, and so Chapter Six must be appraised on its own merits. Before weighing the music, it should be noted that Tynan and Lington ...


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