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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Conrad Herwig: The Latin Side of Horace Silver

Read "The Latin Side of Horace Silver" reviewed by Jack Bowers

New York-based trombonist Conrad Herwig began exploring the “Latin side" of various jazz musicians in 1996, with The Latin Side of John Coltrane, which earned him the first of four Latin Grammy Award nominations. Since then, Herwig has done the same for Miles Davis, Wayne Shorter, Herbie Hancock, Joe Henderson and, now, pianist Horace Silver. The formula is trim and solid; choose several of an artist's more notable compositions and recast them in a rhythmic Latin framework. For The Latin ...

ALBUM REVIEW

Jerry Bergonzi: Nearly Blue

Read "Nearly Blue" reviewed by Jack Bowers

Even though Jerry Bergonzi has nothing left to prove, after almost half a century near the top of almost every list of the jazz world's leading tenor saxophonists, he is hardly ready to sit back and rest on those laurels. On his latest album, Nearly Blue (a sequel to the well-received Spotlight on Standards), Bergonzi is supported, as before, only by organist Renato Chicco and drummer Andrea Michelutti, meaning his supple tenor is in action much of the time, which ...

ALBUM REVIEW

JD Allen: Barracoon

Read "Barracoon" reviewed by Mackenzie Horne

To describe JD Allen's Barracoon as a great record would give a false impression--though it is in fact a fantastic record. It would be demeaning to only refer to the piece as a great exemplar of post-bop production. This record is more important than that; not only is it significant in terms of Allen's artistic development, but the project also contributes to a larger historical framework. Barracoon frames Allen as a leader, a storyteller, and a historian. ...

ALBUM REVIEW

Bill O'Connell and The Afro Caribbean Ensemble: Wind Off The Hudson

Read "Wind Off The Hudson" reviewed by Dan Bilawsky

Bill O'Connell has had plenty to say with his piano in recent times, basically knocking out a session a year for the Savant imprint. And with an exploration within the solo format, a trip with an augmented trio, and ventures promoting a medium-sized conglomerate of heavy-hitters, he's certainly traversed quite an expanse there. But, as Wind Off The Hudson clearly shows, he's still got room grow. The Afro Caribbean Ensemble--his largest on-record gathering of late, and a ...

ALBUM REVIEW

Jim Snidero & Jeremy Pelt: Jubilation!

Read "Jubilation!" reviewed by Jack Bowers

The complete title of this splendid album by alto saxophonist Jim Snidero and trumpeter Jeremy Pelt's New York-based quintet is Jubilation! Celebrating Cannonball Adderley. In other words, honoring the life and music of one of the jazz world's most illustrious altos, a consummate artist (and showman) who ranks alongside Bird, Stitt, Pepper, Konitz, Desmond, Woods, McLean and Nelson as undisputed alto giants and pacesetters of the bop and post-bop eras. As there was only one Cannonball Adderley ...

ALBUM REVIEW

JD Allen: Love Stone

Read "Love Stone" reviewed by Dan Bilawsky

Beneath this tough tenor's exterior rests the most tender of spirits. If you need evidence, just spend some time with Love Stone. After carving out his rightful place at the apex with a series of brilliant piano-less trio outings focused on pithy originals, saxophonist JD Allen recently felt the winds of change in his horn and his habits. He reached a conclusion that originality may sit not in the song's architect but in its possessor, and he ...

ALBUM REVIEW

Jim Snidero & Jeremy Pelt: Jubilation! Celebrating Cannonball Adderley

Read "Jubilation! Celebrating Cannonball Adderley" reviewed by Glenn Astarita

Jim Snidero and Jeremy Pelt celebrate the late, great alto saxophonist Julian 'Cannonball' Adderley. On this release, the band pays homage to the artist's classic quintet, as Pelt's meaty tone rekindles the aura of trumpeter Nat Adderley. The tunes--largely composed by Julian or Nat--capture a portion of the original quintet's setlist, with the festivities enriched by Snidero and Pelt's personal imprints. Pelt and Snidero each contribute a piece that morphs into the Adderley legacy and soundscape, as the ...


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