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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEWS

Supercharged: Down to the Bone

Read "Down to the Bone" reviewed by Chris M. Slawecki

Contemporary jazz doesn't come much better than the seventh release from this UK-based ensemble led by founder and producer Stuart Wade, who plays no instruments but is very instrumental in Supercharged's bright, crisp contemporary sound.

As drummer Adam Riley, alternating bassists Richard Sadler and Julian Crampton, and guitarist Tony Remy man the rhythm section, alto saxophonist Paul “Shilts Wiemar leads most melodies in the effusive style of David Sanborn's energetic jazz pop, supported and stoked by the D.C. ...

ALBUM REVIEWS

Down to the Bone: Supercharged

Read "Supercharged" reviewed by Jeff Winbush

The premise of Supercharged, the seventh album by Down to the Bone, is a simple one. It only asks the listener one question: “Do you wanna get down? For those that answer with an affirmative “Good God, yes" this is your reward.This is bobbing your head, wiggle your butt in your seat music. No ballads, no lame stabs at hip-hop or rap, just good ol' soul music with real musicians playing real instruments. All the overly ...

ALBUM REVIEWS

Steve Cole: True

Read "True" reviewed by C. Michael Bailey

Let's face it, the music genre(s) known as “Smooth Jazz or “Adult Contemporary Jazz or “Nu-Jazz (if, in fact, they are different genres) demonstrate little critical appeal among those who consider themselves “serious jazz enthusiasts. Elevator Music, Muzak, Weather Channel Music, whatever, Smooth Jazz gets precious little respect...as well it deserves. As a branch of jazz, Smooth Jazz is the music for listeners who can't tolerate the real thing without something sweet. You know, listeners who would mix Knob Hill ...

ALBUM REVIEWS

Joyce Cooling: Revolving Door

Read "Revolving Door" reviewed by Chris M. Slawecki

Gibson Guitars' 1999 Jazz Guitarist of the Year, Joyce Cooling, paints a bright and colorful picture on Revolving Door with loving strokes. You might be surprised to learn that this is her portrait of an often dark subject. Says Cooling, “'Revolving Door' is a metaphor for a situation we humans often find ourselves in where there is seemingly no beginning and no end to a problem. It can be a frustrating treadmill with the same path ruthlessly cycling under your ...

ALBUM REVIEWS

Nick Colionne: Keepin' It Cool

Read "Keepin' It Cool" reviewed by Jeff Winbush

Nick Colionne sounds like a lot of guys. You'll hear a bit of George Benson here and a snatch of Wes Montgomery there, Jonathan Butler or Earl Klugh somewhere else. But that doesn't mean Colionne isn't original. It's just obvious that his style of playing has been influenced by other guitar greats.Colionne has been releasing albums since 1994, but Keepin' It Cool, his first release on a major label, is his big coming-out party. Featuring backing by professional ...

ALBUM REVIEWS

Jason Miles: Miles to Miles: In the Spirit of Miles Davis

Read "Miles to Miles: In the Spirit of Miles Davis" reviewed by Woodrow Wilkins

Mention Miles Davis and ears are sure to perk up--especially if you're talking about honoring the trumpet legend. And if you've got a good supporting cast, you can score--big time. That's what keyboardist/arranger/synthesizer programmer/producer Jason Miles has done with Miles to Miles: In the Spirit of Miles Davis. With such all-stars as Gerald Albright, Michael Brecker, Marc Antoine, Keiko Matsui and Nicholas Payton contributing, Jason Miles delivers a funky, groove-infested album that's sure to set many toes to ...

ALBUM REVIEWS

Jason Miles: Miles to Miles: In the Spirit of Miles Davis

Read "Miles to Miles: In the Spirit of Miles Davis" reviewed by John Kelman

Jason Miles has a wealth of experience and expertise in an area that is often under-appreciated. Synthesizer programming may not seem as significant as the folks who play the instrument, but the truth is that the wealth of programmed sounds for a recording can ultimately determine how contemporary-sounding and, equally importantly, how timeless it will become.

Take Miles Davis' Tutu. While some of the compositions have gone on to become synonymous with Davis' last period, gaze back at the recording ...


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