Jazz Articles
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Dave Sewelson: Music for a Free World
by Glenn Astarita
This is baritone saxophonist Dave Sewelson's (William Parker's Little Huey Creative Music Orchestra, Microscopic Septet) first recording as a leader since the 1979 release, Synchro-incity for the TFYM record label. Indeed, that's a long stretch, but Sewelson seems to be busy collaborating with others, and is a veteran of New York City's bleeding-edge downtown scene. On this album, his unorthodox phrasing, extended techniques and reverse-engineering processes standout as a major source of interest, while leading this all-star quartet that features ...
read moreFrancois Carrier: OUTgoing
by Budd Kopman
In the realm of Western music, the role of the performer has been rather circumscribed. In Classical music, the composer is king and the range of allowed" expression rather limited. For most of its history, jazz performers relied on tunes as the basis for their improvisations, and thus, the composer (or tunesmith) was still needed, with the best creating tunes having a memorable melodic arc or harmony, giving the player solid and recognizable support. Modern jazz ...
read moreBob Gluck: Something Quiet
by Karl Ackermann
Thoroughly explaining the Julliard-trained Bob Gluck would be an exhaustive analysis. An accomplished composer of electronic music, a Rabbi, an educator and historical writer, he ventured deeper into jazz with Sideways (FMR Records 2008). Only Gluck himself remains from that recording's trio, a customary piano trio configuration but with Gluck's various synthesizers included. Something Quiet presents saxophone and bass to compliment Gluck's piano on a solely acoustic outing. It is a highly original and brilliantly creative collection of free jazz ...
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