Jazz Articles
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Cyrille Aimée: À Fleur de Peau
by Katchie Cartwright
Like other parts of Cyrille Aimée's musical journey (her time spent learning “gypsy jazz" with Manouche Romani people in Samois-sur-Seine, for example), À Fleur de Peau (Hypersensitive) has an engaging tale attached. In 2018, on a visit to the Costa Rican jungle at a pivotal moment in her personal life, Aimée was inspired to write “Inside and Out" (track four on the album). Upon her return to the US, she played the composition for producer and multi-instrumentalist Jake Sherman. They ...
read moreDavid Preston: Purple / Black Vol. One
by Neil Duggan
Guitarist David Preston, one third of Preston-Glasgow-Lowe, has previously released two recordings with that trio, exhibiting an intense fusion-based style. He is often found sharing on-stage credentials with musicians such as Emma Rawicz and Melody Gardot. For Purple / Black Vol. One, his debut recording as leader, he has opted for a simpler, more distinctive soundscape which emphasises atmosphere and texture. Despite this change of style, Kevin Glasgow remains as electric bassist and they are joined by two ...
read moreDavid Liebman, Jeff Williams: In Duo
by Neil Duggan
There is a wonderful hidden treasure trove of jazz recordings which keep being unearthed from old radio broadcasts, forgotten corners of attics or, in this case, boxes of old cassette tapes. Drummer Jeff Williams was delving through some old cassettes made during his extensive career. He found a recording from an improvisational session he made in 1991 with saxophonist Dave Liebman. The recording was made at a session at Bar Room 432, on the West Side of 14th Street in ...
read moreAlex Hitchcock: Dream Band: Live in London
by Glenn Astarita
This is a bold expedition into the heart of progressive jazz, rendered across a vast canvas of three enthralling nights at the Vortex Jazz Club in London. This three-CD collection is not just a mere album, but a grand, audacious gathering of talents which blurs the line between a larger ensemble setup and a more intimate, modern band experience. Hitchcock's nifty approach to ensemble creation is at the core of this live recording. Rather than sticking ...
read moreLinley Hamilton: Ginger's Hollow
by Ian Patterson
The follow-up to trumpeter Linley Hamilton's For The Record (Teddy D Records, 2020) has taken over three years to materialize, but when you consider what transpired globally in that time, just the act of picking up where he left off is something of a victory in itself. Talk about the difficult second album... Hamilton's trans-Atlantic quartet has its roots in the annual summer school/festival Sligo Jazz Project, where Hamilton, drummer Adam Nussbaum and bassist Mark Egan have all taught. The ...
read moreSultan Stevenson: Faithful One
by Chris May
It is rare for a debut album by a young musician to merit four stars, but Faithful One, by the 22 year old London pianist and composer Sultan Stevenson, deserves every shining one of them. An alumnus of the community programme Tomorrow's Warriors, in his liner note he singles out the Warriors' founders, Gary Crosby and Janine Irons, and one of its tutors, tenor saxophonist Binker Golding, for special thanks. Stevenson has been a fast study. For confirmation of that, ...
read moreLakecia Benjamin: Phoenix
by Jerome Wilson
The previous album by saxophonist Lakecia Benjamin, Pursuance: The Coltranes, (Ropeadope, 2020) was a multifaceted tribute to the music of both John Coltrane and Alice Coltrane. Her new album takes on societal and human issues with similar diversity but in a more compact and organized manner. It moves from a socially aware mix of soul, R'n'B, and jazz fusion in its first half to full-blown spiritual jazz in its second. The album begins with the sound of sirens ...
read moreJo Lawry: Acrobats
by Troy Dostert
Australian vocalist Jo Lawry has covered a lot of ground in a musical career that goes back to her well-received debut in 2008, I Want to Be Happy (Fleurieu). Her formidable jazz chops were readily apparent on that release, but she then turned to other genres, including folk and pop on albums like Taking Pictures (ABC Music, 2015) and The Bathtub and the Sea (Fleurieu, 2018), not to mention a few guest spots with Sting, as on Symphonicities (Deutsche Grammophon, ...
read moreLakecia Benjamin: Phoenix
by Mike Jurkovic
True to her nature, saxophonist Lakecia Benjamin keeps the flame to the dynamite on her smoking follow-up to the wildfire of Pursuance (Ropeadope, 2020), her still hot-to-the-touch dedication to the music and spirituality of John Coltrane and Alice Coltrane. Co-produced with maximum female power by Benjamin and Terri Lyne Carrington, the torrential riptide “Amerikkan Skin" ambushes one's consciousness via the urgency of police sirens only to give way to the equally urgent dictum of radical thinker, activist, educator ...
read moreJohn Escreet: Seismic Shift
by Mark Corroto
John Escreet's recording Seismic Shift, the pianist's first trio recording, might be the case for the return of warning labels on packaging. Not that there are explicit lyrics or violent images, it is just that the 52 minutes of music contained here are quite tempestuous and unrelenting. By design. Escreet is known for his wide-ranging interests in creative music. He has recorded in both the acoustic and electric realms, performing on instruments including the harpsichord, synthesizers, Fender Rhodes ...
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