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Kieran Hebden / Steve Reid / Mats Gustafsson: Live At The South Bank
by Mark Corroto
If abstract expressionist painter Jackson Pollock could be asked how his instant drip paintings reflect the entire history of modern art, he might have replied that his body movements, splatters, flinging, flipping and pouring of paint act as a channel for all this painterly knowledge--and that of his forefathers and contemporaries. Likewise, this two-disc set of music by electronic artist Kieran Hebden, drummer Steve Reid and Swedish saxophonist Mats Gustafsson transmits music from the free jazz experiments of the 1960s ...
read moreFree Fall: Gray Scale
by Charles Walker
For years now, multi-reed instrumentalist Ken Vandermark has been a consistent, if idiosyncratic, devotee of the jazz canon. Musically coming of age in the internet era, however, his taste reflects the widespread availability of previously neglected recordings and the resulting reorientation of what exactly that canon includes. Explicit dedication of Vandermark 5 tracks to Curtis Counce or John Carter have functioned as a rather oblique way of stating his case, but groups like his Joe Harriott Project or School Days ...
read moreThe Thing: Bag It!
by Andrey Henkin
One of the most appealing facets of The Thing-- saxophonist Mats Gustafsson, bassist Ingebrigt Haker Flaten and drummer Paal Nilssen-Love--is the visceral experience of seeing them play live. Huddled closely on stage, wearing matching Ruby's BBQ of Austin t-shirts, dripping with sweat and manhandling their instruments, the trio is one of the modern wonders of avant-garde jazz. The band, with Gustafsson solely on tenor instead of the expected baritone, headlined a bill at Brooklyn's Zebulon last month ...
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