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12
Reassessing

Sahib Shihab and the Danish Radio Jazz Group

Read "Sahib Shihab and the Danish Radio Jazz Group" reviewed by Joshua Weiner


Many jazz fans will know saxophonist and flautist Sahib Shihab primarily for his stint in the 1940s with Thelonious Monk, and his playing captured on Monk's Genius of Modern Music Blue Note sets. Keen-eyed perusers of liner notes, however, will know him as an able sideman on classic albums by John Coltrane, Quincy Jones, Art Blakey, Benny Golson, Milt Jackson and others. Shihab also recorded as a leader in the 1950s and 1960s with Savoy, Debut and Argo, before moving ...

268
Album Review

Sahib Shihab: And the Danish Radio Jazz Group

Read "And the Danish Radio Jazz Group" reviewed by George Kanzler


Made in the mid-'60s, over a decade before Thad Jones led the Danish Radio Big Band, this gem of an album offers more evidence of the centrality of Denmark to the modern, post-World War II jazz scene. It's also a forceful reminder of the limitations of the “great names" approach to jazz history, where such worthy talents as the late Sahib Shihab (1925-89) are ignored or marginalized. Shihab, a pioneering bebop baritone saxophonist and flutist, continued to develop and innovate ...

520
Album Review

Charlie Parker & Arne Domnerus: In Sweden - November 22, 1950

Read "In Sweden - November 22, 1950" reviewed by David Rickert


Charlie Parker certainly had his share of imitators, some of whom adopted his destructive lifestyle in hopes that it was the key to his success. One who stayed clean became one of the best (and least known) of the Parker disciples: Arne Domnerus.  He was also fortunate enough to share a concert with Parker, released as In Sweden - November 22, 1950.  Although the two didn't play together, both sets are filled with intense, delicious bebop.

For ...

482
Album Review

Sahib Shihab: Sahib Shihab and the Danish Radio Jazz Group

Read "Sahib Shihab and the Danish Radio Jazz Group" reviewed by Douglas Payne


Sahib Shihab (1925-1989) played alongside such greats as Thelonious Monk, Dizzy Gillespie, Tadd Dameron, and Art Blakey in the 1940s and 50s. But in order to escape the racial problems in the United States and take advantage of the increased appreciation and opportunities for jazz abroad, he left for Europe and settled in Copenhagen in 1962. He became one of the featured soloists in the Clarke-Boland Big Band and joined the relatively young Danish Radio Jazz Group around the same ...

322
Album Review

Charlie Parker/Arne Domnerus: In Sweden (Nov. 22, 1950)

Read "In Sweden (Nov. 22, 1950)" reviewed by George Kanzler


In today's growingly fractured jazz world, it's hard to fathom how strong was the hegemony of Charlie Parker and bebop over the jazz world in the decade after World War II, especially during the years, like 1950-51, when Parker was actively touring. For proof of bebop's international reach and appeal, this is a prime historical document: a recording from a concert in Malmo, Sweden featuring Parker with local musicians in a typical bebop quintet setting. At least for some of ...


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