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Album Review

Georgia Mancio and Alan Broadbent: Songbook

Read "Songbook" reviewed by Bruce Lindsay


Twenty years ago Georgia Mancio, the London-based singer and songwriter, began listening to pianist Alan Broadbent's recordings with Irene Kral. In 2013 the pair began working together as a duo after Mancio sent Broadbent a message “on a whim." In 2015 and 2016 they recorded together and Songbook is the result: a dozen original compositions--music by Broadbent, lyrics by Mancio--that signal an exciting and sophisticated new partnership.The album's charms are apparent from the opening bars of the delicate ...

14
Album Review

Georgia Mancio: Live At ReVoice!

Read "Live At ReVoice!" reviewed by Bruce Lindsay


The name at the top of the cover of Live At ReVoice! is that of Georgia Mancio, the London-based vocalist who appears on every one of the 12 tracks. A quick glance lower down the cover adds a dozen more names--a list of Mancio's accompanists that reads like a veritable “Who's Who" of the UK jazz scene. A baker's dozen of talented performers, twelve beautifully performed songs, captured with exceptional sound quality. Mancio has organised the ReVoice! festival ...

31
Album Review

Georgia Mancio and Nigel Price: Come Rain Or Come Shine

Read "Come Rain Or Come Shine" reviewed by Bruce Lindsay


Subtlety. It's a useful characteristic in many walks of life. It's underused, too. Come Rain Or Come Shine, the first recording from the partnership of singer Georgia Mancio and guitarist Nigel Price, is an object lesson in subtlety, in understated interpretation, in the impact of nuance. It's really rather good. Mancio and Price are well-established performers with growing reputations--Price's Organ Trio won the 2010 Parliamentary Jazz Award for Best Ensemble, Mancio's third album, Silhouette (Roomspin Records), was one ...

388
Album Review

Georgia Mancio: Silhouette

Read "Silhouette" reviewed by Bruce Lindsay


Georgia Mancio celebrates 10 years as a professional jazz singer with Silhouette, her third album. The mix of standards and original compositions, delivered in Mancio's light but distinctive voice, and accompanied by some of the finest musicians on the British jazz scene, is a genuine cause for such celebration. Silhouette is innovative, lyrically inventive, risky at times and always rewarding. Mancio's vocal delivery is reminiscent of Anita O'Day's; her enunciation is clear and precise but there is ...


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