Jazz Articles
Our daily articles are carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our future articles page. Read our daily album reviews.
Sign in to customize your My Articles page —or— Filter Article Results
Arne Domnerus: Memories of You
by Chris Mosey
With the death of Arne Domnerus, at the age of 83, on September 2, 2008, a great and all-pervading light went out on the Swedish jazz scene. Dompan," as he was universally known in his homeland, started out playing Benny Goodman-influenced clarinet in a Stockholm college band in his teens, graduated to alto saxophone in diverse, long forgotten Swedish dance orchestras, then played in the Swedish jazz band that took the 1949 Paris jazz festival by storm. Later that year ...
read moreArne Domnerus/Lars Erstrand: Live is Life
by Chris Mosey
This is billed as being as close as you can get to a follow-up to the classic 1976 Swedish session, Jazz at the Pawnshop (Proprius). It was recorded in 1995 by the same sound engineer, Gert Palmcrantz, and with two of the original participants, Arne Domnerus and Lars Erstrand. Sadly, times have changed. The cheerful mayhem of the pawnshop, Stampen, in Stockholm's old town is no more, replaced here by the antiseptic atmosphere of Club Doppingen in the university city ...
read morePutte Wickman: Simple Isn't Easy
by Chris Mosey
Putte Wickman was one of a handful of top flight jazz clarinetists born in the 1920s who survived the demise of the big swing bands and made a successful transition to bebop. Along with Buddy DeFranco, with whom he recorded, and Tony Scott, Wickman created a whole new vocabulary for the instrument. His self-taught virtuosity was reminiscent in its soaring, swooping fluency to that displayed by Sidney Bechet in another era and another style. Had he not chosen to live ...
read moreArne Domnerus: Jazz at the Pawnshop - 30th Anniversary Edition
by Chris Mosey
On December 6 and 7, 1976, in a small jazz club called Stampen (The Pawn Shop) in Stockholm's Old Town, Swedish sound engineer Gert Palmcrantz recorded a group of leading Scandinavian jazzmen live, trying to get the tight, harmonious sound of the records of my childhood." Conditions were less than ideal. A full house, a great deal of background noise. No rehearsals. No sound checks. The musicians just started playing with no one knowing what would be next on the ...
read more