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Maggie Nicols, Caroline Kraabel, Charlotte Hug.: On Dizziness
by John Eyles
Maggie Nicols, Caroline Kraabei and Charlotte Hug first came together as a trio in the autumn of 2000 when they played together in Nicols' front room. In May 2001 they came together again, playing a concert at the (now defunct) Freedom of the City festival in London's Conway Hall. At the same venue, on June 4th, 2001, they were recorded, without an audience, by Martin Davidson for his Emanem label. The resulting album, Transitions was released on the label in ...
read moreBruno Parrinha/Abdul Moimême/Carlos Santos: A Silent Play in the Shadow of Power
by Karl Ackermann
Just before the COVID-19 pandemic shut down much of the world in early March 2020, electronics artist/composer, Carlos Santos brought together reed player (José) Bruno Parrinha and dual-electric guitarist Abdul Moimême for A Silent Play in the Shadow of Power. The three Lisbon based artists often work within the same cohort of adventurous Portuguese musicians and are a perceptively attuned group. They recorded this album at the Small Formats Materials Festival in their home city. The compelling album ...
read morePatrick Brennan/Maria do Mar/Ernesto Rodrigues/Miguel Mira/Hernâni Faustino/Abdul Moimême: The Sudden Bird of Waiting
by Karl Ackermann
Portuguese violist Ernesto Rodriques has appeared as a leader/co-leader on almost two-hundred recordings. He has recorded with The Glasgow Improvisers Orchestra, the Luso-Scandinavian Avant Music Orchestra, and several other ensembles. Rodriques was in Lisbon in 2018 when Portuguese native Abdul Moimême and American saxophonist Patrick Brennan were recording their duo venture Terraphonia (Creative Sources Recordings, 2019). At Rodriques' suggestion, the artists launched a project that would pair their experimental skills with an improvising Lisbon string quartet. The resulting album, The ...
read moreErnesto Rodrigues / Abdul Moimême / Antez: Magma
by Mark Corroto
The question that lingers over Magma, by the trio of violist Ernesto Rodrigues, guitarist Abdul Moimême and percussionist Antez, is whether the artists were conscious of the visual aspects created by their music. Of our five senses--taste, sight, touch, smell and sound--it is, of course, the perception of sound that we attribute to music. This is not about the observation of musicians going about their performance as much as the visuals created by the sound itself. Only the audience at ...
read morePatrick Brennan / Abdul Moimême: Terraphonia
by Karl Ackermann
Somewhere on a timeline that includes studying guitar in Madrid and architecture in Boston, Portuguese native Abdul Moimême studied saxophone with American artist Patrick Brennan. Moimême has been prolific as part of almost two-dozen leader/co-leader releases since his debut Nekhephthu (Creative Sources, 2008). Brennan is lightly recorded with four leader dates over the past two decades. What they have in common is a penchant for free improvisation and unusual constructs, physical and aural. Terraphonia is the pair's first recorded collaboration. ...
read moreDissection Room: Albert Cirera / Abdul Moimême / Alvaro Rosso: Dissection Room
by Karl Ackermann
An international trio, based out of Lisbon, Portugal, Dissection Room formed in 2015 with saxophonist Albert Cirera, bassist Alvaro Rosso and guitarist and electronic artist Abdul Moiméme. The three artists share wide-ranging formal training in multiple disciplines as well as an affinity for experimental music. Their self-titled debut, recorded live at Lisbon's O'Culto Da Ajuda in late 2017, is both abstract and experimental and not at all for the faint of heart. A native of the Catalan region ...
read moreMiguel Angelo: I Think I'm Going To Eat Dessert
by Jerome Wilson
Miguel Angelo is a Portuguese bassist whose main occupation is keeping the beat going for other musicians in various groups. If playing in bands is his bread and butter" job, then it follows that a solo bass recording would be his dessert."For most of this effort, Angelo plucks and bows with a deep, resonant tone that has little embellishment. He presents a rich and profound pizzicato sound on pieces such as I have a dream," Never and never ...
read moreMiguel Angelo: I Think I’m Going To Eat Dessert
by Troy Dostert
In addition to his numerous sideman appearances, Portuguese bassist Miguel Ângelo has released a couple quartet albums under his own name: Branco (2013) and A Vida de X (2016), both of which possess a strong tuneful vitality. Although the format is very different, Ângelo's decision to release a solo-bass recording this time around does make sense, as it's characterized by the prominent melodies and emotionally resonant playing found in abundance on those previous albums. From the first moments ...
read moreMiguel Angelo: I Think I’m Going To Eat Dessert
by Mark Corroto
We can all agree that music is perceived and enjoyed through the sensory faculty known as hearing. Certainly, but a musical performance is enhanced when an additional sense is summoned, like the visual when attending a production. In the case of this solo performance by bassist Miguel Ângelo, that additional sense is touch. With I Think I'm Going To Eat Dessert, sound is just one element that is shared equally with the sensation of touch. Ângelo can be ...
read morePer Gärdin/Pedro Lopes/Rodrigo Pinheiro: History Of The Lisbon Chaplaincy
by Mark Corroto
It's interesting just how much place influences a recording. Was the session captured in a hermetically sealed studio or a noisy jazz club? Is the sound engineered or merely captured? And how does the architecture of the recording space effect the sound? Sound experimentalist Pauline Oliveros often recorded in an empty water cistern, timing notes against the ping-pong reverberations. The trio of Per Gärdin, Pedro Lopes, and Rodrigo Pinheiro recorded with what can only be described as their fourth member, ...
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