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Album Review

Jerónimo Carmona: Lament

Read "Lament" reviewed by Jakob Baekgaard


Jazz listeners familiar with the characteristic sound and aesthetic of Argentinian label Rivorecords will know the deep, swinging sound of bassist Jerónimo Carmona, who has been a strong presence on many releases on the label, including albums by pianists Ernesto Jodos and Paula Shocron. With Lament, Carmona gets the chance to step into the spotlight himself. Lament is conceived as a duo album, but it isn't a duo album in the traditional sense. Instead, the album consists ...

3
Album Review

Gustavo Musso / Francisco Lo Vuolo: Back in Town

Read "Back in Town" reviewed by Jakob Baekgaard


Playing in a duo exposes the communication between two musicians. Like a good conversation, there's a chance to get a special level of depth and intimacy. A good conversation with a stranger can make us feel like we have known the person for years, but if the conversation grows stale then the reaction might become estrangement. Keeping a good conversation alive is all about flow and the ability to listen. To know when to pause and when ...

3
Album Review

Francisco Lo Vuolo: In Walked Francis

Read "In Walked Francis" reviewed by Jakob Baekgaard


Sometimes the title of a record reveals that the music is something special. This is indeed the case with Argentinian pianist Francisco Lo Vuolo's solo piano album In Walked Francis. Anyone who is slightly familiar with Justo Lo Prete's label Rivorecords knows what to expect: Pure quality releases in sophisticated packaging that focus on the sound made famous by Blue Note in the 1950s and 1960s. Lo Prete is interested in providing a contemporary take on jazz ...

2
Album Review

Paula Shocron: See See Rider

Read "See See Rider" reviewed by Jakob Baekgaard


Argentinian pianist Paula Shocron is one of the most prominent artists on Justo Lo Prete's Rivorecords and has previously shown her worth on two superb trio albums: Our Delight (Rivorecords, 2011) and Serenade in Blue (Rivorecords, 2012). See See Rider offers a welcome chance to hear Shocron in a solo setting. From the opening chords of “Sweet Lorraine," Shocron's muscular lyricism is immediately on display. As she improvises around the bittersweet melody, every phrase is carved out ...

3
Album Review

Sergio Wagner / Alan Zimmerman: Backstage Sally

Read "Backstage Sally" reviewed by Jakob Baekgaard


Those listeners enamored with the classic sound of hard bop modernism that Blue Note propelled in the '50s and early '60s will be well served by Argentinian label Rivorecords whose catalog basks in the swinging sounds of the past, but adds a contemporary touch of urgency. Label boss Justo Lo Prete has found a winning formula: top-notch Argentinian jazz musicians playing hard bop classics and standards in sophisticated arrangements, with the occasional original thrown in for good ...

5
Album Review

Mariano Loiacono Noneto: Hot House

Read "Hot House" reviewed by Jakob Baekgaard


Bigger isn't necessarily better, but there's no denying that the expanded line-up of the nonet is a format that adds new nuances to the Argentinian trumpeter Mariano Loiacono. Loiacono is one of the mainstays on Justo Lo Prete's Rivorecords and has previously released the excellent What's New? (Rivorecords, 2011) and Warm Valley (Rivorecords, 2011). Hot House is a radical departure from the chamber-like setting and warm flugelhorn-sound of the latter and instead elaborates on the brassy bop-punch ...


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