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Nataniel Edelman Trio: Un Ruido De Agua
by John Sharpe
Born in Buenos Aires in 1991, Argentinean pianist Nataniel Edelman first met bassist Michael Formanek and saxophonist Michaël Attias when studying in New York City. He maintained the ties and the outcome was the three sessions under Edelman's leadership in a Berlin studio in 2022 which resulted in Un Ruido De Agua. It is not the first time he has recorded with the reedman, as Attias joined Edelman for a tour in his homeland in 2021, where the pianist, an ...
read moreGiuseppe Doronzo: Futuro Ancestrale
by Mark Corroto
A mesmerizing approach to an improvising trio yields Futuro Ancestrale, which was recorded during a performance at Amsterdam's Bimhuis in June of 2022. This trio brings together Italian baritone saxophonist Giuseppe Doronzo, guitarist Andy Moor and American drummer Frank Rosaly. Doronzo (Aterraterr and AVA Trio) and Rosaly (Rempis Percussion Quartet and ¡Todos de Pie!) have relocated to jny:Amsterdam and both can be heard in the small orchestra All Ellington. They have found the creative scene in Amsterdam to be very ...
read moreSimon Nabatov 3+2: Verbs
by Glenn Astarita
Renowned Germany-based pianist Simon Nabatov's piano work is both technically proficient and emotionally resonant, weaving intricate melodies and harmonies that unfold with each track. And his fingers dance across the keys with a precision and passion that is almost scandalous, as if the piano itself blushes with each touch. One notable aspect of the outing is its eclectic range of influences. Nabatov effortlessly incorporates elements from various musical traditions, including classical, avant-garde, and free jazz. This fusion of ...
read moreMikko Innanen / Cedric Piromalli / Stefan Pasborg: Can You Hear It?
by Glenn Astarita
In the world of jazz, where the unexpected often becomes the standard, the sophomore album from the international trio of Mikko Innanen, Stefan Pasborg and Cédric Piromall, aptly named Can You Hear It?, plays like a delightful curveball that even seasoned jazz aficionados didn't see coming. This album is to conventional jazz what a saxophone solo is to a quiet library--utterly captivating and wonderfully out of place. Imagine if the Hammond organ got bored of its usual gigs ...
read moreSimon Nabatov 3 + 2: Verbs
by John Sharpe
What constitutes a composition? German-based Russian-born pianist Simon Nabatov makes a convincing case that a simple verbal instruction can suffice on Verbs. It is not a claim he makes himself, but the six supposed improvisations each mines such a distinctive seam that, although spontaneously conceived without melody or other formal arrangement, the initial proposition proves enough. Perhaps germane to the achievement is the presence of the pianist's regular trio mates, bassist Stefan Schönegg and drummer Dominik Mahnig, although that is ...
read moreTrespass Trio featuring Susana Santos Silva: Live In Oslo
by John Sharpe
Although Swedish saxophonist Martin Küchen is the toast of festival-goers across Europe for the variously sized Angles ensembles he fronts, which revel in sometimes exuberant, sometimes heart-rending riff-fuelled anthems, he also pursues somewhat more somber strands of expression. One involves the sort of adventurous sonic explorations heard on Animal Quotes (Relative Pitch, 2022). But another, and the one heard on Live In Oslo, finds him in small group settings designed to negotiate his often dirge-like compositions. For this ...
read moreGiuseppe Doronzo, Andy Moor, Frank Rosaly: Futuro Ancestrale
by Karl Ackermann
Within the diversity of Amsterdam's global, multi-cultural environment, Italian saxophonist & composer Giuseppe Doronzo called on the talents of UK guitarist Andy Moor and US drummer Frank Rosaly. The trio project, Futuro Ancestrale, is a collection of avant-garde improvisations marked by folkloric influences and experimentation. Three of the five compositions rose out of a request from Bimhuis, the premier jazz club in the Netherlands, to assemble a group for the Red Light Jazz Festival. Further inspiration was drawn from 'Rayuela' ...
read moreFritz Hauser & Pedro Carneiro: Pas de Deux
by Glenn Astarita
Pas de Deux (a dance for two) is an enthralling collaboration between percussion luminaries Fritz Hauser and Pedro Carneiro, emerging as a symphonic exploration of rhythm and resonance, challenging and redefining the traditional confines of percussion-based music. This collection transcends the typical aggregation of tracks; it unfolds as a nuanced, poetic exchange between two maestros, articulating a dialogue through the sophisticated vernacular of rhythm and timbre.First off, those expecting a typical drum solo album, where it is all ...
read moreTrespass Trio featuring Susana Santos Silva: Live in Oslo
by Mark Corroto
Adding Portuguese trumpeter Susana Santos Silva to Swedish saxophonist Martin Küchen's Trespass Trio for the 2018 Blowout Festival in Oslo, Norway was “a no-brainer." The inclusion of her trumpet, which features in ensembles led by Mats Gustafsson, Fred Frith, and Torbjörn Zetterberg, to name but a few, requires little or no thought. It is as if the four previous Clean Feed releases by the Trespass Trio, The Spirit Of Pitești (2017), Human Encore (2013), Bruder Beda (2012), and “---was there ...
read moreHugo Carvalhais: Ascetica
by Glenn Astarita
Venerable Portuguese bassist Hugo Carvalhais' “Ascetica" is a mesmerizing journey into the depths of progressive jazz, offering a soundscape which is vast and immersive, crafted with meticulous attention to detail. Carvalhais and his ensemble, create a polygonal musical environment through a blend of electronic manipulations, ambient soundscapes, springy synth riffs, and forceful sax soloing, often raising the temperature and broadening the scope. With blossoming jazz improvisations amid pulsating rock motifs, they occasionally generate fluctuating time signatures and slippery phrasings.
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