Articles by Mike Brannon

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

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Interview

Lyle Mays Goes Solo

Read "Lyle Mays Goes Solo" reviewed by Mike Brannon


From the 1995-2003 archive: This article first appeared at All About Jazz in May 2001. What if you were to look beyond the obvious of what you normally do each day, and you learned to see beyond? What if your mind, and ears were always open yet you stayed deeply focused and unwavering from your concentration on the moment? For Lyle Mays, it was to pull that which is not obvious from the piano to create ...

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Catching Up With

Bill Stewart Interview

Read "Bill Stewart Interview" reviewed by Mike Brannon


From the 1995-2003 archive: This article first appeared at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. They of course did a number of tours and studio dates together while word got around about Stewart's unique sound and approach to the kit and music. More recently an extensive, high profile tour with Pat Metheny's trio project brought his name ...

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Interview

Medeski, Martin and Wood: A Retro Phenomenon for the New Millenium

Read "Medeski, Martin and Wood: A Retro Phenomenon for the New Millenium" reviewed by Mike Brannon


From the 1995-2003 archive: This article first appeared at All About Jazz in April 1999. No, they're not a law firm, and though they're not yet a household word either, MMW is a trio of formidable sonic integrity and groove. 'Fronted' by Hammond B-3 organist John Medeski, the trio has been described as everything from “acoustic funk" and “acid jazz" to “Sanford and Sun Ra" (my favorite). The reality is that this equal collaboration between Medeski, acoustic/electric bassist, ...

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Interview

Catching up with Herbie Hancock

Read "Catching up with Herbie Hancock" reviewed by Mike Brannon


From the 1995-2003 archive: This article first appeared at All About Jazz in September 1998. Seldom has a musician been so closely associated with two separate musical genres as has pianist and composer Herbie Hancock. Originally introduced to the world as part of Miles Davis' mid-60's group, which also included Wayne Shorter, Tony Williams and Ron Carter, Hancock also made a name for himself in the pop world as well, starting with the Headhunters band in '72 and ...

1

Interview

Steve Swallow Interview

Read "Steve Swallow Interview" reviewed by Mike Brannon


From the 1995-2003 archive: This article first appeared at All About Jazz in January 2001. Steve Swallow may not be a household name, at least in most households, but if you've listened to contemporary jazz over the last thirty years, you've likely heard him on one side of the studio glass or the other. Swallow's not just a great and very unique electric jazz bassist but also a trusted producer of sessions which have included the likes jazz ...

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Interview

Uberjamming with John Scofield

Read "Uberjamming with John Scofield" reviewed by Mike Brannon


From the 1995-2003 archive: This article first appeared at All About Jazz in March 2002. “Uberjam." Literally: “over all jam," translates to 'groove above all' on this true band effort, Scofield's latest recorded outing. You'll likely see this title described as anything from groove...techno...ambient...world...trance... to acid...and back again, but like MMW, it's unique in that, It's danceable “but holds up as jazz," as Sco puts it. Recorded right after a 40 city tour, the band was ...

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Interview

Bill Bruford: In the Court of the Percussion King

Read "Bill Bruford: In the Court of the Percussion King" reviewed by Mike Brannon


From the 1995-2003 archive: This article first appeared at All About Jazz in March 2001. A charmed life might be a good way of describing that of Bill Bruford. Always at the center of and driving vastly creative projects, including King Crimson, Yes, Earthworks, Genesis, Bruford, Gong and many other collaborations of like minds, Bruford continues to amaze and astound both audiences and the modern greats of drumming alike. Though at times self-effacing, tacit, enlightening and direct, he ...


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