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One for All: The Third Decade

Read "The Third Decade" reviewed by C. Andrew Hovan

Hard to believe it will be twenty years ago next year that the hard bop ensemble One For All debuted with Too Soon To Tell on the fledgling Sharp Nine label. Formed as a group that regularly played together at an uptown Broadway club called Augie's, each member was just at the start of their own budding careers. Even today, it continues to be a surprise that these gentlemen still find the time to assemble for the occasional record date ...


A Jazz Marriage: Smoke and One For All

Read "A Jazz Marriage: Smoke and One For All" reviewed by Nick Catalano

After 12 years of classic jazz bookings and extraordinary patron loyalty, Smoke deserves legendary status right next to Birdland (the old club of the 50's), Basin Street, The Village Vanguard, The Blue Note, and a couple of the old 52 St. clubs. In addition to having unique intimacy, a special staff who could give a seminar in how to run a jazz club and a sensible food and drink menu, Smoke has had the prescience to embrace the hottest hard ...


One for All: Incorrigible

Read "One for All: Incorrigible" reviewed by Sean Coughlin

One for All Incorrigible Jazz Legacy Productions 2010

One for All's Incorrigible showcases some of the best original writing the group has had in its 14 releases. It no longer sounds like a bunch of “young lions" thrown together in a recording studio. Cohesive and interdependent, these musicians bring out the best in one another, resulting in an album filled with thoughtful communication and high energy improvisation. “Bewitched, Bothered, ...


Two by One For All

Read "Two by One For All" reviewed by Ken Dryden

One For All Incorrigible Jazz Legacy 2010 One For All Return of the Lineup Sharp Nine 2009 One For All is a collective of hard bop/straight-ahead players who have busy careers as leaders and sidemen, yet enjoy the time they are able to spend together, whether working on a new CD or performing around ...


One for All: The Lineup

Read "The Lineup" reviewed by Ken Kase

Time was when jazz history was measured in terms of linear progress as artists influenced each other to create new sounds. Jazz, it has been said, fed off of itself in a constant state of progression, pushing the music to its limits. But times have changed, and this construct has been revised several times over as legions of musicians found their inspiration in established jazz styles and stuck with them.The Lineup is the eleventh release by One for ...


One for All: No Problem

Read "No Problem" reviewed by Dr. Judith Schlesinger

This starlit group hits the ground running with drummer Joe Farnsworth's driving tribute to Art Blakey: it's an introduction that says, “we have arrived, folks, just buckle up and ride." Not a hard thing to do and great fun to boot. Recorded at New York's historic Avatar Studios in April of 2003, the sextet's combined mastery and energy are impressive to say the least. “One for All" includes some of the brightest lights in jazz today, who apply themselves to ...


One For All: Live at Smoke, Volume 1

Read "Live at Smoke, Volume 1" reviewed by David A. Orthmann

As anyone who frequents jazz clubs will attest, there are nights that live on in memory for years after the last note fades. Aside from basic details easily recalled (personnel, tunes, arrangements, etc.), what really matters is the way the music made us feel. On these rare occasions, the sounds were so potent that, for a time, nothing else mattered and all worldly concerns yielded to the happenings on stage. In search of another incredible experience, we keep coming back ...


One For All (Venus: The End of a Love Affair

Read "The End of a Love Affair" reviewed by C. Andrew Hovan

Things just aren’t what they used to be and we’re not just talking about life these days post September 11th. From a jazz standpoint, the renaissance movement that was ushered in during the ‘80s seems to have run its course in many ways. The corporate pressures behind the major labels seem to be tightening their belts when it comes to jazz product. For so many years the reissue market alone was astounding and the ripple effect helped support contemporary rosters ...


One For All: Live at Smoke- Volume 1

Read "Live at Smoke- Volume 1" reviewed by C. Andrew Hovan

Growing out of a weekly jam session that drummer Joe Farnsworth used to lead at a New York club called Augie’s, the hard bop ensemble One For All now encompasses a pool of leaders who still manage to get together and cultivate the kind of musical empathy that they’ve developed over the years. After two initial albums for the Sharp Nine label, the group jumped ship to Criss Cross Jazz where the majority of the guys cut records of their ...


One For All: The Long Haul

Read "The Long Haul" reviewed by C. Andrew Hovan

Well, you know what they say. There aren’t any real jazz bands anymore and the opportunities for younger musicians to thrive in a working environment are few and far between. Sure, it’s not what it used to be, but all is really not as bleak as some would want us to believe. Guys like Jason Lindner, Dave Stryker, and the various members of One For All have found it possible to keep integrated units together for a period of time ...


One For All: The Long Haul

Read "The Long Haul" reviewed by David A. Orthmann

Working within the broad parameters of hard-swinging, harmonically sophisticated small-band styles from the 40s, 50s, and 60s, the music of the sextetOne For Allalso reflects the experiences of the individual members outside of their cooperative band. An incomplete but telling list of leaders who have employed and influenced various members of the crew includes Cecil Payne, George Coleman, Art Blakey, Jackie McLean, Junior Cook, Slide Hampton, and Louis Hayes.

On The Long Haul, the band’s second release for Criss Criss ...


One For All: Upward and Onward

Read "Upward and Onward" reviewed by David A. Orthmann

Throughout Upward and Onward, One For All’s recently-released disc on Criss Cross, all of the important elements are firmly in place: imaginative arrangements of good tunes; tight ensemble playing; four strong soloists; and a rhythm section that never flags. Although the music is rooted in the hard bop continuum of the 50s and 60s (and occasionally goes beyond these parameters), every cut sounds fresh and vital.

Each of the band’s soloists finds ways to distinguish himself in a set of ...

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