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Jazz Articles about Paul G. Smyth
Paul G. Smyth & John Wiese: The Outlier
by Mark Corroto
The Outlier! by Paul G. Smyth and John Wiese is an ambient recording. No, it's a free improvisation set, or could it be industrial sound or noise? Yes, and yes again. Recorded before an audience in The National Concert Hall in Dublin, Ireland, this duo brings together pianist and Weekertoft Records label chief Smyth with the American electronics artist Wiese for a 53 minute continuous improvisation. Smyth's piano and prepared piano have been heard in the company of improvising luminaries ...
read morePeter Brötzmann / Paul G. Smyth: Tongue In A Bell
by Mark Corroto
There are only a handful of pianists the great reedist Peter Brötzmann has worked with. Back in the Machine Gun (FMP, 1968) days it was Fred Van Hove at the keyboards. Then there was Misha Mengelberg and Alexander von Schlippenbach, plus those Berlin sessions with Cecil Taylor, and the new millennium recordings with Japanese pianist Masahiko Satoh: Yatagarasu (Not Two, 2012) and Long Story Short (Trost, 2013). Add to that list Irishman Paul G. Smyth. This 2015 live ...
read moreWeekertoft Hits Its Stride…
by John Eyles
As Weekertoft approaches its first anniversary, its teething troubles seem over as it is settling down into a pattern of releasing music regularly. Of the label's two latest releases, one is on CD, the other a download, a balanced approach that seems likely to become the norm. The download release is significant for two connected reasons: it is the label's first release not to feature one of its proprietors, guitarist John Russell and pianist Paul G. Smyth; and, with music ...
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