Home » Jazz Articles » George Mraz

Jazz Articles about George Mraz

19
Liner Notes

John Abercrombie: The First Quartet

Read "John Abercrombie: The First Quartet" reviewed by John Kelman


With the release of Arcade (1979), Abercrombie Quartet (1980) and M (1981), John Abercrombie's entire ECM discography as a leader is finally available on CD. Looking back at these albums and their position in his oeuvre, they are revealed as seminal documents of Abercrombie's arrival as a distinctive writer, improvising guitarist and bandleader, delivering on the promise of his first two ECM recordings under his own name, Timeless (1975) and Characters (1977). Abercrombie's subsequent career has, in many ways, been ...

16
Album Review

John Abercrombie: The First Quartet

Read "The First Quartet" reviewed by Mark Sullivan


In many ways guitarist John Abercrombie's recordings with his first quartet represent his real coming of age, as a jazz guitarist, composer, and bandleader. He already had a substantial ECM discography behind him, including his fusion debut Timeless (1975); the overdubbed solo record Characters (1977); the first trio with Dave Holland and Jack DeJohnette, the self-titled Gateway (1975); and his first duet record with acoustic guitarist Ralph Towner, Sargasso Sea (1976). But many of these recordings (and others ...

27
Album Review

John Abercrombie: The First Quartet

Read "The First Quartet" reviewed by Karl Ackermann


In his more than thirty year career--almost exclusively with ECM--guitarist John Abercrombie has more often than not confined his formation to smaller groups ranging from solo through quartet. He has been less restricted in the style of music he creates and that diversity is demonstrated with mixed results on The First Quartet. The albums included in the three-disc set are remastered from original ECM analog recordings of Arcade (1979), Abercrombie Quartet (1979) and M (1981). All but unavailable in CD ...

334
Album Review

Yelena Eckemoff: A Touch of Radiance

Read "A Touch of Radiance" reviewed by Tyran Grillo


It's fulfilling to hear an artist evolve. In this regard, Yelena Eckemoff has heeded callings definable only by the language of the spirit. The Russian-born pianist and composer comes from a rigorous classical background, and within those parameters has shaped a quiet yet assured corpus of jazz albums stretching back to 2006's The Call. Since then she has assembled numerous ad hoc bands, caressing ebonies and ivories alongside Arild Andersen, Marilyn Mazur, Peter Erskine, and many other established names in ...

370
Album Review

Yelena Eckemoff: A Touch of Radiance

Read "A Touch of Radiance" reviewed by Greg Simmons


Trained in an intensive ten-year classical piano program at Moscow's Gnessins School, and after quietly making records for over two decades, Russian native Yelena Eckemoff has been transitioning to a form of hybrid, classically informed improvisation with some exceptional results. 2010's Cold Sun, a trio featuring the exquisite drumming of Peter Erskine, was a tremendous musical statement for a leader making an early foray into improvisation and a record that is well worth seeking out to this day.

505
Album Review

The Jan Hammer Trio: Maliny Maliny

Read "Maliny Maliny" reviewed by John Kelman


Sometimes plenty can happen in three years; sometimes plenty can happen in a matter of days. When Jan Hammer recorded Maliny Maliny at a club in Munich on August 30, 1968, the keyboardist had no idea that, in three short years he'd be at the top of the jazz heap as founding member of one of fusion's most significant groups, guitarist John McLaughlin's Mahavishnu Orchestra. He did know, within 30 days of this live recording--when the young Czechoslovakian moved to ...

537
Album Review

George Mraz / Iva Bittova: Moravian Gems

Read "Moravian Gems" reviewed by Kurt Gottschalk


Over some twenty years of recording, the Czech violinist and singer Iva Bittova has done folk, classical and new music, recording with guitarist Fred Frith among others. What she hadn't done, by her own admission, was venture into jazz. That changed when she began working with her countryman, bassist George Mraz. Mraz worked with both the Stan Getz quartet and Czech pianist Emil Viklicky in the 1970s, and has continued to be a sought-after player in the ...


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by Calligram Records
Polls & Surveys
Vote for your favorite musicians and participate in our brief surveys.
Publisher's Desk
How To Follow Staff Writers
Read on...

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.