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Jazz Articles about Jason Moran
Charles Lloyd: The Sky Will Still Be There Tomorrow
by Mike Jurkovic
For a long, grateful while now the music of Charles Lloyd has rippled out from that rarified space where the ego does not prevail. A pool of depth and wonder which culminates in one masterful artwork after another, for example Wild Man Dance (Blue Note, 2015) and 8: Kindred Spirits Live from the Lobero Theater (Blue Note, 2019). Lloyd's eleventh Blue Note album, the double disc set The Sky Will Still Be There Tomorrow is also his first ...
read moreBlankFor.ms: Refract
by Neri Pollastri
Uscito il primo settembre, nove mesi dopo From the Dancehall to the Battlefield, lo splendido lavoro dedicato a James Reese Europe, questo Refract illustra l'altra faccia di un autore geniale e poliedrico qual è Jason Moran. Di fatto diretto da BlankFor.ms, alias Tyler Gilmore, artista elettronico già allievo di Moran che usa nastri degradati e sintetizzatori analogici per produrre musica emotiva," il disco sviluppa un'originalissima e assai variegata integrazione elettroacustica, mettendo materiali elettronici predeterminati a disposizione del pianista e del ...
read moreJason Moran: From the Dancehall to the Battlefield
by Neri Pollastri
Uscito il primo gennaio 2023 su Bandcamp, questo album di Jason Moran, per il suo concept, per la varietà e la ricchezza, per il modo in cui fonde radici storiche e modernità è probabilmente da considerare il disco dell'anno. Il suggestivo titolo From the Dancehall to the Battlefield sintetizza la storia del mitico musicista a cui è dedicato: James Reese Europe, compositore, arrangiatore e direttore d'orchestra nero, nato a Mobile, in Alabama, nel 1881, e trasferitosi prima a ...
read moreBlankFor.ms - Jason Moran - Marcus Gilmore: Refract
by Pat Youngspiel
Electroacoustic music gains a new modern perspective with the sonic marvel that is Refract, a collaborative effort between degraded tapes artist Tyler Gilmore, aka BlankFor.ms, pianist Jason Moran and Marcus Gilmore on drums. An experimental series of sketched shapes featuring hovering loops turned sound- blankets, drum-set turned beat-machine and piano turned keyboard-impressionism, Refract's largely improvised fabric makes for one of the year's most adventurous and intriguing listens. Recorded with producer Sun Chung, the sonic properties are a focal ...
read moreJason Moran: The Sound Will Tell You
by Mark F. Turner
Jazz pianist Jason Moran has occupied numerous spaces in his esteemed career: bandleader, film-scorer, visual arts, MacArthur fellow and Kennedy Center Artistic Director. Yet the area which showcases his most lucid gift is illuminated in his performance. Like a painter with a fresh canvas, Moran uses his piano to illustrate colors, moods and ideas at the whim of his creativity. His third solo piano release is no exception. Recorded over two days in January 2021, The Sound Will ...
read moreBest Jazz Ghost Tracks and Other Spectral Jazz, Part 2
by Ludovico Granvassu
We continue our exploration of great tunes that--for a reason or another--were concealed to great effect but also never received the attention they deserved. We'll try to remedy that focusing on ghost-tracks, and other ghostly jazz. We were supposed to select ten tunes... but there were at least thirteen more, plus a couple more ghost-related tunes. Like on part 1 of this special, you can click on the embedded player to listen, look at the playlist below to ...
read moreRon Miles: Rainbow Sign
by Mario Calvitti
Per il suo esordio su etichetta Blue Note, il trombettista Ron Miles riunisce nuovamente il quintetto stellare con cui aveva inciso il precedente I Am a Man, Bill Frisell alla chitarra, Brian Blade alla batteria, Jason Moran al piano e Thomas Morgan al contrabbasso. Il gruppo era a sua volta l'evoluzione di un trio con Frisell e Blade che aveva già realizzato due album, Quiver e Circuit Rider, per non parlare di Heaven in duo con Frisell oltre alle numerose ...
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