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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Ben Monder: Day After Day

Read "Day After Day" reviewed by Mark Corroto

On Day After Day, Ben Monder explores memories triggered by songs. Over two discs, one solo and the other with bassist Matt Brewer and drummer Ted Poor, the guitarist rouses impressions formed long ago. Just like a certain fragrance can spark the memory of an old lover, songs deep in your brain's hard drive can be recovered. Miles Davis and Sonny Rollins were masters at this, but covering Rodgers and Hammerstein's “The Surrey with the Fringe on Top" from the ...

ALBUM REVIEW

Ben Monder: Day After Day

Read "Day After Day" reviewed by Peter J. Hoetjes

Rare is the musician who remains static throughout their career, and with his professional life dating back to the mid-1990s, Ben Monder has had time enough to change course when the desire strikes. Since his outstanding debut, Flux (Songlines, 1995), he has released a handful of equally impressive albums which follow in its footsteps, as well as infrequent collaborations with vocalist Theo Bleckman. He was also selected to play guitar on David Bowie's final album. Having wanted for years to ...

CATCHING UP WITH

Ben Monder: Amorphous Music

Read "Ben Monder: Amorphous Music" reviewed by Nenad Georgievski

Ben Monder is a guitarist with a singular and influential voice. While he has received a great acclaim for his multifaceted work and unparalleled technical facility, Monder has also demonstrated remarkable breadth both as a bandleader and composer. His debut album for ECM Amorphae is a kind of a movie for one's ears. Amorphae consists of a set of beautiful compositions that orchestrate kind of sounds beyond the imagination. Monder's distinctive guitars create a wide range of colors, dynamics and ...

EXTENDED ANALYSIS

Ben Monder: Amorphae

Read "Ben Monder: Amorphae" reviewed by John Kelman

Having made his first--and, up to now, only--appearance on Munich's lauded ECM Records on the late drummer Paul Motian's Garden of Eden (2006), it's certainly taken a long time for the virtuosically talented guitarist to get a date of his own. Monder's résumé--while filled with significant associations including, in addition to Motian, composer/bandleader Maria Schneider, double bassist and occasional ECM label mate Marc Johnson, saxophonist Donny McCaslin (with whom Monder will also appear on the upcoming Black Star by David ...

ALBUM REVIEW

Ben Monder: Amorphae

Read "Amorphae" reviewed by Mark Sullivan

Veteran guitarist Ben Monder is at his most experimental and atmospheric in this collection of largely improvised performances, his sixth album as a leader, and his first for ECM. The genesis of the album came from Monder's 2010 duet sessions with Paul Motian, sadly abbreviated by the legendary drummer's passing. Motian fans can surely be forgiven for wishing there was more than the two tracks included. But one of them is the highlight of the album: the pair revisits Rodgers ...

ALBUM REVIEW

Ben Monder: Hydra

Read "Hydra" reviewed by Troy Collins

New York-based guitarist Ben Monder has been an active member of the contemporary jazz scene for more than two decades, appearing on over 100 sessions as a sideman for such luminaries as Paul Motian, Maria Schneider and Kenny Wheeler. Despite such prestigious collaborations, Monder has maintained a relatively low profile as a solo artist, with less than half a dozen records as a leader or co-leader to his credit; Oceana, the last release under his own name, was issued by ...

ALBUM REVIEW

Ben Monder / Bill McHenry: Bloom

Read "Bloom" reviewed by Raul d'Gama Rose

The world of improvised music is a wondrous pursuit, but as soon as the word “composition" creeps into the proceedings, it can have a slightly stricter form. How much form begins to curb spontaneity is entirely up to the musicians. In the case of guitarist Ben Monder and saxophonist Bill McHenry's Bloom, thankfully, the form does not disturb the path of forward-thinking creativity. However, there is enough structure to the duo's music for it to have a strict beginning, middle ...


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