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RADIO

Bebop in 60s - Howard McGhee, Charles McPherson, Barry Harris, Sonny Stitt (1961 - 1971)

Read "Bebop in 60s - Howard McGhee, Charles McPherson, Barry Harris, Sonny Stitt (1961 - 1971)" reviewed by Russell Perry

Bebop was a revolutionary new music in the late 1930s, dominated jazz in the 1940s, and powerfully influenced all jazz that followed. By the 1960s it still had its adherents who were producing compelling music thirty years later. In this hour of Jazz at 100, we will hear bebop from trumpeter Howard McGhee, saxophonists Charles McPherson and Sonny Stitt, and pianist Barry Harris. Playlist Host Intro 0:00 Howard McGhee Quartet “Demon Chase" from Maggie's Back in Town (Contemporary) ...

RADIO

Charles McPherson Quartet Live at BIMHUIS Amsterdam

Read "Charles McPherson Quartet Live at BIMHUIS Amsterdam" reviewed by BIMHUIS

No one else alive today has mastered the musical language of Charlie Parker like Charles McPherson. The alto saxophonist, who played with, among others, Charles Mingus from 1960 to 1972, keeps bebop alive with his own music. Critics praise his powerful, confident playing on his most recent album The Journey. Personnel -Charles McPherson: alto saxophone; Alberto Palau: piano; Joris Teepe: bass; Stephen Keogh: drums. Playlist BIMHUIS Radio Intro -00:00 Live Concert @ BIMHUIS First Set: ...

CATCHING UP WITH

Charles McPherson: The Man and His Muse

Read "Charles McPherson: The Man and His Muse" reviewed by Joan Gannij

Acclaimed alto saxophone wizard Charles McPherson has a new muse: his 25-year-old daughter Camille, a premier dancer with the San Diego Ballet, where he also serves as composer-in-residence these days. McPherson was a young father in his twenties, with three children from a first marriage. Thirty years up the road, after marrying the lovely Lynn, a classical piano teacher in jny: San Diego, he became the father of a daughter once again. “Thirty years, that's a big difference," he says, ...

JAZZ BASTARD

January 2018: Charles McPherson, Duke Ellington, Charlie Parker

Read "January 2018:  Charles McPherson, Duke Ellington, Charlie Parker" reviewed by Patrick Burnette

January opens with an interview with alto saxophonist, composer, and philosopher Charles McPherson and closes with Pat hosting a one-man show on Duke Ellington's suites. Episode 132 features a hundred-minute talk with alto saxophonist Charles McPherson, who discusses a formative encounter with Charlie Parker, his time playing in Charles Mingus' band, the lessons he learned from pianist Barry Harris, and his own solo career. Charles has led a fascinating life as a jazz musician and offers a unique ...

ALBUM REVIEWS

Charles McPherson: The Journey

Read "The Journey" reviewed by Edward Blanco

One of the original bebop artists of our time, alto saxophonist Charles McPherson adds to his legacy and marches through a selection of timely bop-infused material on The Journey, demonstrating his mastery of the idiom by transforming jazz classics into fresh-sounding bop tunes with a blend of originals rolled into one exciting package. Long associated with Charles Mingus--a twelve-year collaboration--McPherson has been in the public eye since the early 1960s and was the central figure in providing the sound track ...

ALBUM REVIEWS

Charles McPherson: The Journey

Read "The Journey" reviewed by Robert Bush

Alto saxophone legend Charles McPherson has few living peers, but even at the age of 75, he shows no signs of slowing down, a premise well documented with the release of The Journey, his latest recording on the Capri label. Blistering post-bop remains McPherson's signature, but there is also a modernist streak that ripples through his improvising on this disc that can only be heard in terms of things that tingle the spine. On The Journey ...

INTERVIEWS

Charles McPherson: Keeping the Faith

Read "Charles McPherson: Keeping the Faith" reviewed by Maxwell Chandler

Having started his professional career at the age of nineteen, alto saxophonist Charles McPherson found himself working with Charles Mingus from 1960 to 1972, while also recording for the Prestige label under his own name.

Always inspired by Charlie Parker, but far more than just an acolyte, he has kept the bop fires blazing with his own distinctive sound and a body of work which is as impressive as it is enjoyable.


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