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Pete Malinverni: Heaven

Read "Heaven" reviewed by Fiona Ord-Shrimpton

Perhaps church would be fashionable again amongst lapsed Christians if every church had musicians at the spec of Pete Malinverni. We have, in part, much to admire of the LA based Newman family for their reach in music and its training, in which composer, Anthony Newman was an insightful mentor to Malinverni's dedication. It would seem that to get to Heaven you must start at the Bach. As a summons Malinverni's call to prayer is witness to some ...

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Pete Malinverni: Heaven

Read "Heaven" reviewed by Dan McClenaghan

New York City-based pianist Pete Malinverni is a spiritual man. It's a side of his musical personality that he explores with depth and clarity on Heaven, a mostly trio affair that puts his succinct feel for the sacred, his supple and exquisite touch and his improvisational elan in the forefront on a gorgeous set of music. He serves up the traditional-- “Shenandoah," “A City Called Heaven," “Wade In the Water--along with Duke Ellington's “Heaven" and “Come Sunday," and more, including ...

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Pete Malinverni Trio: A Beautiful Thing

Read "A Beautiful Thing" reviewed by Dan McClenaghan

The great tenor saxophonist Coleman Hawkins once said: “[music]...if you don't make mistakes you're not really trying." Pianist Pete Maliverni seems to have taken this statement to heart, going into the studio with his working trio--bassist Lee Hudson and drummer Eliot Zigmund--to record A Beautiful Thing, producing a music full of inspired flexibility, much like what would be heard on a live date.The set underscores advice that would be well-taken by any jazz musician--any artist for that matter--that ...

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Pete Malinverni: Invisible Cities

Read "Invisible Cities" reviewed by David A. Orthmann

Pete Malinverni's Invisible Cities:, inspired by the imaginative flights of Italo Calvino's novel of the same name, exists on its own terms and doesn't readily fit into any established jazz style or sensibility. The pianist effectively juxtaposes six of his compositions and four well-known, urban-themed songs. His ballad-oriented tunes, “New Orleans--Cities & Desire," “Salem--Hester Prynne," and “A City Called Heaven," are clothed in lovely, expressive melodies, the kind that beg for equally inspired lyrics. Beautifully interpreted by Tim Hagans's trumpet, ...

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Pete Malinverni: Invisible Cities

Read "Invisible Cities" reviewed by Francis Lo Kee

A concept record of sorts, pianist Pete Malinverni was initially inspired to put his Invisible Cities project together after reading the Italian novelist Italo Calvino's book of the same name. Though the CD is full of good jazz improvisation (with a truly wonderful rhythm team of bassist Ugonna Okegwo and drummer Tom Melito), it also seems to be in conflict: whether to be as ambitious in concept as the book might suggest or simply to play some good, honest swinging ...

MEGAPHONE

Coming Of Age: Life, on the Road to Parnassus

Read "Coming Of Age: Life, on the Road to Parnassus" reviewed by AAJ Staff

By Pete Malinverni

One day you turn around and realize that, by now, in your 40s, you have lived--and are living--the life of a musician. For me, this was not accidental--years of practice, study, gigs, listening, all of that--but I enjoy looking back at decisions taken that led me to the exact point at which I now stand. These choices were almost never made with long term goals in mind but were rather born of attempts to do well in ...

PROFILES

Pete Malinverni

Read "Pete Malinverni" reviewed by Mitchell Seidel

Pete Malinverni readily admits that when he was six years old, the thought of taking piano lessons “was a cool idea." “But it wasn't that long after that that I started to kind of battle my folks, unfortunately. But they prevailed, and, of course, I'm thankful," he added. “I guess I showed a certain amount of talent, but it's hard for a kid to really want to do it from the get-go." “To play ...

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Pete Malinverni: The Tempest

Read "The Tempest" reviewed by Russ Musto

Pianist Pete Malinverni’s fifth date for Reservoir reunites the leader with bassist Dennis Irwin and drummer Leroy Williams in a program designed to showcase the more aggressive cast the trio often takes in its live performances.

Malinverni’s mastery of the bebop idiom is virtually unmatched by young pianists, the legitimacy of his approach delivering a depth to his playing that brings out the harmonic sophistication and rhythmic richness of all the music he explores here. While obviously deeply dedicated to ...

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Pete Malinverni: The Tempest

Read "The Tempest" reviewed by Michael P. Gladstone

New York pianist Pete Malinverni is a familiar name to jazz lovers who scan the newspaper pages to see who is appearing on the club scene. Although he has several recordings on the well-regarded independent Reservoir label over the past seven years, this is my first opportunity to hear him first-hand. Malinverni has also been a Minister of Music for the past twelve years at the Devoe Street Baptist Church in Brooklyn, where he directs the Gospel Choir and Jazz ...

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Pete Malinverni: The Tempest

Read "The Tempest" reviewed by Dan McClenaghan

Pete Malinverni's previous disc on Reservoir Music, Autumn in New York , drew me into a world I'd hestitated to explore: the piano trio. The bop-inflected set featured some of Maliverni's distinctive originals beside his fresh takes on some of the time-honored classics, with the pianist joined by two very in sync accompanists, bassist Dennis Irwin and drummer Leroy Williams.Maliverni offers up more of the same on The Tempest. The opening cut/title tune, an original, churns with a ...

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Pete Malinverni: Autumn in New York

Read "Autumn in New York" reviewed by C. Andrew Hovan

Remaining just a bit below the radar scans of all but the most astute jazz followers, New Yorker Pete Malinverni has recorded a total of four albums now for the Reservoir label and each one has spoken eloquently for a greater appreciation of his gifts.

His most recent is Autumn in New York (Reservoir 171) and once again the pianist has the advantage of claiming two wonderful section mates as part of the proceedings: bassist Dennis Irwin and drummer Leroy ...

INTERVIEWS

Pete Malinverni

Read "Pete Malinverni" reviewed by AAJ Staff

“Music can name the unnamable and communicate the unknowable." --Leonard Bernstein “Music is one of the fairest and most glorious gifts of God." --Martin Luther “Do you know that our soul is composed of harmony?" --Leonardo da Vinci To most jazz fans, the intimate connection between music and spirituality is simply assumed. The aspiration of many jazz musicians to place both themselves and their listeners in direct connection with the divine ...


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