Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

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Album Review

Pandelis Karayorgis Double Trio: CliffPools

Read "CliffPools" reviewed by Mark Corroto


Visit any dog park and you'll notice canines need no instruction on how to play together. Chasing the ball, chasing each other, or investigating a pond is quite instinctive for our furry friends. Apologies for equating the master musicians heard on CliffPools with a pack of dogs, but a ferocious struggle for dominance this is not. Boston-based pianist Pandelis Karayorgis had the idea to merge two of his piano/bass/drums trios into one coterie of kindred spirits. His trio work with ...

21

Album Review

Pandelis Karayorgis Quintet: Afterimage

Read "Afterimage" reviewed by Glenn Astarita


Boston, MA area pianist, composer Pandelis Karayorgis brandishes his magic at a Chicago venue with some of the Windy City's finest improvisers. He shifts many concepts with odd-metered progressions while straddling the avant-garde spectrum amid a manifesto based on cohesive discourses, where the hornists may purposely lag behind the beat or bust out into commodious movements. Karayorgis is a perceptive composer, whether he ingrains a smoky blues motif with sinuous phrasings or positions the band into a manifold gait where ...

6

Album Review

Pandelis Karayorgis Quintet: Circuitous

Read "Circuitous" reviewed by Glenn Astarita


In the album liners, Boston-based jazz pianist Pandelis Karayorgis cites this unit as a dream band, featuring prominent Chicagoans, saxophonist Dave Rempis and drummer Frank Rosaly. Never one to run short on creative sparks, the pianist is a sly arranger, and these works are asymmetrically synched within organization and improvisation. Moreover, several of these pieces are influenced by Thelonious Monk, primarily from an unconventional rhythmic standpoint amid odd-metered expressionism. Vivid imagery is rampant on “Swarm," where the frontline ...

2

Album Review

Pandelis Karayorgis Trio: Cocoon

Read "Cocoon" reviewed by Mark Corroto


With so many projects in the works, where is one to begin in a survey of pianist Pandelis Karayorgis? The Boston-based educator (born in Athens, Greece) is a member of The Whammies (featuring Han Bennink), a sextet formed with Driff Records partner Jorrit Dijkstra to cover the music of Steve Lacy. He also maintains a Chicago Quintet with Dave Rempis, Keefe Jackson, Nate McBride, and Frank Rosaly, and is a member of System of 5, Construction Party, and the Guillermo ...

252

Album Review

Pandelis Karayorgis Quintet: System Of 5

Read "System Of 5" reviewed by Troy Collins


A longstanding adherent of intimate duo and trio settings, Boston-based pianist Pandelis Karayorgis' discography has been dominated by small combo recordings since the early 1990s, with many founded on the venerable configuration of piano, bass and drums. A radical traditionalist with a penchant for the acute angles and strident tonalities of advanced post-bop, Karayorgis' recent exploits with bassist Jef Charland and drummer Luther Gray have earned him well-deserved praise. System Of 5 is the debut of Karayorgis' newest ensemble, presenting ...

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Album Review

Pandelis Karayorgis: System of 5

Read "System of 5" reviewed by Raul d'Gama Rose


One of the most enduring qualities possessed by pianist Pandelis Karayorgis is his startling intellect, as well as the grace with which he announces his arrival. A truly gifted musician with a penchant for angularity, his playing is, nevertheless, beautifully logical, even when he is playing those darting arpeggios that a linear melody demands. However, every once in awhile, he abandons all logical lines to the melody of his complex work, and jumps in seemingly with a myriad of hands, ...

212

Album Review

Pandelis Karayorgis Quintet: System of 5

Read "System of 5" reviewed by Glenn Astarita


One of the major attributes of System of 5 pertains to the modality of New England area pianist Pandelis Karayorgis, which lies between modern jazz, with heavy rhythmic nods to Thelonious Monk, and a newer slant that parallels the current state of jazz imperialism. Backed by a new band, the musicians overlap mainstream persuasions with tricky time signatures and passionate improvisational implementations. The pianist abides by a democratic process, but also incorporates well-rehearsed complexities into the grand schema.


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