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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Bjorn Meyer: Provenance

Read "Provenance" reviewed by Karl Ackermann

Bassist Björn Meyer strongly believes that there are multiple functions for bass. Born just outside of Stockholm, he started out playing piano and some guitar but when he randomly picked up a bass, he realized that he had found his instrument. Self-taught, he had been inspired by the diverse styles of Marcus Miller and Jaco Pastorius. Meyer came to prominence playing a style called Trip Folk with the Swedish group Bazar Blå and with the jazz-oriented European trio featuring reed ...

ALBUM REVIEW

Bjorn Meyer: Provenance

Read "Provenance" reviewed by Geno Thackara

From the fact that his best-known role consisted of a decade in Nik Bartsch's Ronin (not to ignore his other style-bending collaborations either), it's already clear that Bjorn Meyer isn't interested in what a bass or bassist is normally supposed to do. In keeping with that attitude, his solo debut puts his low-end string work to different uses on practically each track. Playing with sound is the real game, and the instrument is a sonically rich means toward that end. ...

ALBUM REVIEW

Bjorn Meyer: Provenance

Read "Provenance" reviewed by Mark Sullivan

Swedish electric bass guitarist Björn Meyer has worked with Persian harpist-singer Asita Hamidi (the program is dedicated to her memory), Swedish nyckelharpa player Johan Hedin and Tunisian oud master Anouar Brahem, and was a member of Nik Bärtsch's Ronin for a decade, often filling a lead instrument role. So he has a history of fitting his electronic instrument into normally acoustic environments, and has created a distinctive voice, which is showcased in this solo album--the first ECM release devoted to ...


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