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LIVE REVIEWS

Vijay Iyer Sextet at the Jazz Standard

Read "Vijay Iyer Sextet at the Jazz Standard" reviewed by Akinfe Fatou

Vijay Iyer Sextet Jazz Standard New York, NY January 22, 2019 Vijay Iyer's sextet astounded the audience in their highly anticipated, sold out show at the Jazz Standard. From the moment Iyer graced the stage, the audience erupted into an earth-shattering ovation that danced into his greeting and band introductions. The sextet features Mark Shim on tenor saxophone, Nick Dunston on bass, Jeremy Dutton on drums, Steve Lehman on alto saxophone, and Graham Haynes on ...

RADIO

Vijay Iyer, Max Moran and more

Read "Vijay Iyer, Max Moran and more" reviewed by Joe Dimino

This week we begin with Vijay Iyer playing music from Far From Over, the powerful release he has recorded with his Sextet and profiling their show in Kansas City at The Gem Theater headlining a stellar night of jazz that was kicked off by a performance with Hermon Mehari and Logan Richardson. We also focus on Pittsburgh's jazz cat DK Anderson and a look into a chance meeting he had with the great Stanley Turrentine. We also ...

LIVE REVIEWS

Funchal Jazz Festival 2018

Read "Funchal Jazz Festival 2018" reviewed by Ian Patterson

Funchal Jazz Festival 2018 Santa Catarina Park Madeira, Portugal July 12-14, 2018 A stunning tableau greets visitors to the Funchal Jazz Festival entering by the main gate, at the top of Santa Catarina Park. The first thing that catches the eye are the spectacular trees that define the park's boundaries. African, Asian, South American and Mediterranean trees, with names as exotic as their forms, are bathed in purple and green light. The park's well-kept ...

LIVE REVIEWS

Vijay Iyer Sextet at The Village Vanguard

Read "Vijay Iyer Sextet at The Village Vanguard" reviewed by Mike Jurkovic

Vijay Iyer Sextet Village Vanguard New York, NY May 17, 2018 I'll recreate this blistering first set the best I can. The sextet nudged their way through the Vanguard's current crowd and its deep history. The applause built. Vijay Iyer took his place at the piano, turned to the crowd, spilled water on some mic and electric cables and hoped it doesn't cause a problem. He introduced his band, obviously straining-at-the-bit: Graham Haynes trumpet, ...

LIVE REVIEWS

Vijay Iyer at SFJAZZ

Read "Vijay Iyer at SFJAZZ" reviewed by Harry S. Pariser

Vijay Iyer SFJAZZ San Francisco, CA January 18, 19, 21, 2018 Vijay Iyer told a San Francisco audience at Herbst Theater that it is amazingly difficult to tour in the United States, by way of explaining why he did not perform in his former hometown more often. But, since, SFJAZZ opened their new building, the situation has evolved, and he has been a repeated guest at the facility. This year ...

ALBUM REVIEWS

Vijay Iyer: Far from Over

Read "Far from Over" reviewed by Mike Jurkovic

Vijay Iyer sounds so evolved and invigorating with each release that it's easy to forget that his eye-opening debut Memorophilia, Asian Improv Records) was two-plus decades ago. Think about it, Blood Sutra, Historicity, Accelerando, Tirtha... But over the course of his ECM five disc career (beginning with 2014's Mutations), there has been a little bit of creative wood shedding. Not lazy, mind you, that would be impossible with the chops and concepts Iyer consistently displays. It's some un-explainable ...

ALBUM REVIEWS

Vijay Iyer Sextet: Far From Over

Read "Far From Over" reviewed by Mark Sullivan

Pianist/composer Vijay Iyer has employed different instrumental forces for each of his ECM albums. Most recently, A Cosmic Rhythm With Each Stroke (2016) was a duet with trumpeter Wadada Leo Smith, while Break Stuff (2015) featured his long standing trio with bassist Stephan Crump and drummer Marcus Gilmore. For his fifth ECM date as a leader he has expanded to a sextet. The rhythm section includes Crump and drummer Tyshawn Sorey, who has long subbed for Gilmore in the trio, ...

ALBUM REVIEWS

Vijay Iyer Sextet: Far From Over

Read "Far From Over" reviewed by Karl Ackermann

There are any number of valid ways to describe Vijay Iyer's music over the course of his twenty-three albums. Analytical, angular, intricate, dissonant, and oddly lyrical; his two previous ECM releases, Break Stuff (2015) and the duo outing, A Cosmic Rhythm With Each Stroke, with Wadada Leo Smith (2016), have been more widely accessible without forsaking complexity. Not merely an academic, Iyer is a perpetual student, absorbing information and disseminating his aggregate knowledge in new and inventive ways. On Far ...

ALBUM REVIEWS

Vijay Iyer Trio: Break Stuff

Read "Break Stuff" reviewed by Hrayr Attarian

Intrepid pianist and composer Vijay Iyer's Break Stuff is an intimate work brimming with an intense poetry and a subtly dramatic ambience. The latter results from the complementary and contrasting elements, which are intricately interwoven within each of the dozen tracks that comprise the album. On the exquisite “Mystery Woman," for instance, Iyer plays percussive chords with one hand and haunting, lilting cascade of notes with the other building a sublime harmonic balance. The serene atmosphere that follows ...

ALBUM REVIEWS

Vijay Iyer Trio: Break Stuff

Read "Break Stuff" reviewed by Karl Ackermann

From the time of his debut as a leader nearly twenty years ago on Architextures (Asian Improv Records, 1996), pianist and composer Vijay Iyer has been a great experimenter. The Albany, New York native successfully utilized duplicated patterns and phrasing in a variety of settings from solo piano to ensembles. Advanced as his earlier techniques were, Iyer has continued to move forward and challenge himself, incorporating and manipulating decades of learning as his career progresses. At a given time his ...

EXTENDED ANALYSIS

Vijay Iyer Trio: Break Stuff

Read "Vijay Iyer Trio: Break Stuff" reviewed by John Kelman

When it comes to jazz/improvised music, there are those who, like pianist Keith Jarrett, prefer to approach it with a blank slate, clearing their minds of everything in order to find a way to pull form from the ether. Then there are those who spend considerable time formulating their approach, and coming up with a philosophy, an aesthetic, to apply to the music they make. While he's far from the only musician to take the latter approach, few are as ...

LIVE REVIEWS

Vijay Iyer Trio at Brooks Center for the Performing Arts

Read "Vijay Iyer Trio at Brooks Center for the Performing Arts" reviewed by Mark Sullivan

Vijay Iyer Trio Brooks Center for the Peforming Arts Utsey Chamber Music Series Clemson, SC 1/15/2015 The Vijay Iyer Trio's performance at Clemson University's Brooks Center for the Perfoming Arts was the first jazz programmed as part of the long-running Utsey Chamber Music Series. As the presenter pointed out in her introduction, most jazz is technically chamber music: one player on a part. When the band took the stage Iyer greeted the crowd ...


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