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Ethan Iverson: Technically Acceptable
by Mike Jurkovic
The funhouse genius of pianist Ethan Iverson hits full nor'easter with Technically Accepted, an album so loaded with invention and cool it rises instantly to the pack of hands-down favorites for the still unformed year of 2024. Unbounded, Iverson's many quirks and instigations hurl madly around the house, the studio, the bodega down the street and it is up to the rest of us to keep up. That includes his two simpatico rhythm sections: bassist Thomas Morgan and ...
read moreEthan Iverson: Every Note Is True
by Neri Pollastri
Oltre vent'anni dopo la cofondazione dei The Bad Plus e a quattro dalla sua fuoriuscita dalla fortunata formazione, Ethan Iverson ha approfittato della sosta imposta dalla pandemia per portare in studio due musicisti di assoluto spicco quali Larry Grenadier e Jack DeJohnette per registrare con un nuovo trio un album che andasse oltre quanto maturato nel lungo lavoro svolto con la sua precedente formazione. Ne è venuto fuori questo singolare Every Note Is True, primo disco del pianista per la ...
read moreChet Doxas: You Can't Take It With You
by Jerome Wilson
Tenor saxophonist Chet Doxas has been getting attention in recent years by collaborating with prominent musicians such as Dave Douglas and Carla Bley. On this album he explores his own compositions in a trio with two sympathetic partners, pianist Ethan Iverson and bassist Thomas Morgan. Doxas' music here falls into one of two general styles, slippery blues-inflected pieces reminiscent of Jimmy Giuffre's trios with Jim Hall or more abstract work where the three musicians take on roles complementary to each ...
read moreBud's Got Buddies
by Patrick Burnette
We bring the old-ish and the brand-new this week, with two catalog items courtesy of Mike and two 2021 Bud Powell tributes courtesy of Kismet, I guess. One oldie is a middle of the road Blue Note basic, while the other is a third stream effort that is glancingly echoed in the more orchestrated of the two Bud tributes. And that's all you're getting out of me—you'll have to listen to the episode to find out more. Playlist ...
read moreEthan Iverson & Umbria Jazz Orchestra: Bud Powell in the 21st Century
by Angelo Leonardi
Da quando ha lasciato The Bad Plus l'attività di Ethan Iverson s'è sviluppata in più direzioni, passando da lavori strumentali in duo (con Mark Turner: Temporary Kings ECM 2018) o in quartetto (Common Practice ECM 2019) ad opere estese come il concerto per pianoforte con l'American Composers Orchestra (Concerto to Scale). Tra le altre cose ha curato una celebrazione di Thelonious Monk alla Duke University e scritto la colonna sonora per Pepperland, l'opera sui Beatles del coreografo Mark Morris.
read moreL'integrale per pianoforte di Ligeti a Bologna
by Libero Farnè
Musica Insieme Contemporanea Oratorio di San Filippo Neri Bologna 28.2.2019 È seducente l'immagine del manifesto di MICO 2019: semplice, ma satura, allusiva, giocosa. Al centro di uno sfondo rosso è inquadrato un piccolo pianoforte-giocattolo altrettanto rosso, come quelli che fanno parte dell'armamentario di strumentini e oggetti accessori vari nelle solo performance di Fabrizio Puglisi o di altri pianisti improvvisatori. L'immagine rappresenta adeguatamente il tema e lo spirito della quattordicesima edizione della rassegna ...
read moreEthan Iverson/Larry Grenadier/Paul Motian at the Village Vanguard on March 3, 2011
by Warren Allen
Ethan Iverson / Larry Grenadier / Paul MotianThe Village VanguardNew York, NYMarch 3, 2011 The press that followed the rise of The Bad Plus rocked jazz's slightly dusty seismometer. And with it, pianist Ethan Iversion rose to the forefront of the jazz piano world for his heart-pounding work in the Plus' Prog-jazz aesthetic. Yet, at his core, Iverson is a powerful player who mixes cracks of atonality with a stately lyricism that draws broadly ...
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