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RADIO

Give the Drummer (More Than) Some! Part 1

Read "Give the Drummer (More Than) Some! Part 1" reviewed by Ludovico Granvassu

As we hunker down amidst a terrifying pandemic what we need is to drum up our positive energy and attitude. So here's a special home edition of Mondo Jazz spotlighting projects led by creative drummers. Just another way to give drummers more than some! Stay home, socially distance, but musically connected. And don't forget to support musicians and the institutions that contribute to their outreach during these challenging times! Happy listening! PlaylistBen Allison “Mondo ...

ALBUM REVIEW

Susie Ibarra: Drum Sketches

Read "Drum Sketches" reviewed by Karl Ackermann

When some of jazz music's more adventurous drummers want to showcase their talents, they usually do so in tandem with another player who, ideally, has enough brand equity to generate collateral interest. Solo percussion recordings rarely generate a queue on release--in large part due to the absence of melody and the almost ubiquitous presence of discordant beating, white noise and/or industrial clatter. It is not that the less traditional sounds don't create a narrative, but that the narrative is not ...

ALBUM REVIEW

Abdullah Ibrahim & The WDR Big Band, Cologne: Bombella

Read "Bombella" reviewed by Raul d'Gama Rose

The emotion of an Abdullah Ibrahim record can be pleasantly overpowering. Bombella, featuring Cologne's WDR Big Band--arranged and conducted by Steve Gray--overpowers with both passion and majesty. From score to large soundstage, Ibrahim translates his regal persona into some of the most memorable music he has ever written, including African Symphony (Enja/JustinTime, 2001), African Suite (Tiptoe, 2001) and Ekapa Lodumo (Tiptoe, 2001). Although the pianist himself cites Senzo (Sunnyside, 2009) as a wellspring for Bombella, listening to this record is ...

PROFILE

Susie Ibarra

Read "Susie Ibarra" reviewed by Elliott Simon

Percussionist Susie Ibarra is an artist whose compendium of work is defined by an exquisitely global essence. It includes a profound respect for indigenous people and their music, coupled with a cutting edge sense of the avant-garde. Her works are not a distillation or homogenization of various cultures but a celebration and appreciation of diversity. Ibarra has been refreshing both in her ability to integrate and groundbreaking in her use of ancient instrumentation and form within the most postmodern of ...

LIVE REVIEW

Jazzelectro Sounds: Live from Birmingham, England

Read "Jazzelectro Sounds: Live from Birmingham, England" reviewed by Martin Longley

Birmingham, EnglandMarch 2008Electric Kulintang at the CBSO CentreNew York percussionist Susie Ibarra last came to the CBSO Centre with trumpeter Dave Douglas, when he was premiering his Blue Latitudes piece with the Birmingham Contemporary Music Group. That gig found her in both composed and improvised states, but this time Ibarra's been asked back to present the Electric Kulintang project, an investigation of her Philippine heritage, in partnership with Cuban husband Roberto Rodriguez. Despite being an active hands-on ...

MULTIPLE REVIEWS

Susie Ibarra and Mephista: Folkloriko & Entomological Reflections

Read "Susie Ibarra and Mephista: Folkloriko & Entomological Reflections" reviewed by Sean Patrick Fitzell

As a composer, improviser, bandleader or member, drummer-percussionist Susie Ibarra displays a holistic approach to music, playing her parts to support the larger musical vision. Two recent and divergent recordings showcase her broad musical palate.

Susie Ibarra Folkloriko Tzadik 2004

Folkloriko , Ibarra's latest as a leader, opens with “Anitos," an exotic percussion duet with Roberto Rodriguez. Set over a relentless “tribal" groove, it highlights Ibarra's melodic playing on wooden kulintang, a traditional Asian ...

ALBUM REVIEW

Susie Ibarra Trio: Songbird Suite

Read "Songbird Suite" reviewed by Farrell Lowe

Songbird Suite offers some of the most direct and heartfelt music you could ever want to hear. Honestly. The depth of these pieces is reflected in just about every aspect of recording. For instance, the very title of the album acts as a unifying theme throughout the individual pieces. Every song seems imbued with bird-like qualities... a spiralling/elliptical rhythm pattern in many of these pieces suggests the wiry sophistication of a warbler; Craig Taborn's piano themes and electronic textures possess ...


ENGAGE

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