Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

David Hazeltine: The Time Is Now

Read "The Time Is Now" reviewed by David A. Orthmann

David Hazeltine's thirty-fourth date as a leader juxtaposes his strengths as a composer, interpreter of standard material, improviser, as well as the capacity to converse and interact with his peers. There's something magical about the ways in which the pianist employs these skills, avoiding emphasizing one at the expense of the others, and in doing so fashioning tracks that are balanced, agreeable, incisive, and substantive. It's fascinating to consistently hear him chart a middle course, melding emotion and intellect while ...

MULTIPLE REVIEWS

Smoke Sessions: A Threesome from Herring, Jackson, & Hazeltine

Read "Smoke Sessions: A Threesome from Herring, Jackson, & Hazeltine" reviewed by C. Andrew Hovan

With the launch of their own label at the start of 2014, Smoke Jazz Club widened their circle by committing to tape performances by some of New York's finest musicians and dispersing this music via downloads and discs. A decidedly bare bones operation, the in-house production team has done a great job of capturing the ambiance of the room and everything from mastering to graphic design is dedicated to establishing an identity of quality and craftsmanship. ...

ALBUM REVIEW

David Hazeltine Trio: The Jobim Songbook in New York

Read "The Jobim Songbook in New York" reviewed by Ernest Barteldes

On this project, pianist David Hazeltine takes on the music of the late Jobim (who would have turned eighty in 2007) by looking at the music from an American point of view, without the typical bossa nova elements. Most of the music presented here is well-known, from “The Girl from Ipanema to “Quiet Nights of Quiet Stars (titled “Quiet Nights on the CD), but what Hazeltine does here is augment the classical influence that the songs' writer brought to them. ...

ALBUM REVIEW

David Hazeltine-George Mraz Trio: Manhattan

Read "Manhattan" reviewed by Ken Dryden

Familiarity is a plus on this 2005 studio session by pianist David Hazeltine with bassist George Mraz and drummer Billy Drummond. Drawing most of their program from familiar standards and popular jazz compositions, the three musicians make each of them sound fresh with their brilliant interplay. The influence of Bill Evans is apparent in Hazeltine's approach to Dave Brubeck's “In Your Own Sweet Way, with Mraz's intricate bass line and Drummond's finesse on the brushes fueling the ...

INTERVIEW

David Hazeltine: Modern Standards

Read "David Hazeltine: Modern Standards" reviewed by John Dworkin

David Hazeltine is now, and has been for over a decade, an omni-present force in the New York City straight-ahead jazz scene. Through the years, he's played piano and recorded with masters like Curtis Fuller, Jon Hendricks, Slide Hampton. Now with many recordings as a leader to his credit, he still plays many, many dates throughout the year and is as energetic and enthusiastic about the music as most players half his age (not to say that he's old, by ...

ALBUM REVIEW

David Hazeltine: Modern Standards

Read "Modern Standards" reviewed by David A. Orthmann

Modern Standards consists of a diverse collection of songs that were written in the second half of the twentieth century. David Hazeltine's arrangements of material by the Beatles, the Bee Gees, Burt Bacharach, Leonard Bernstein, and others for piano, bass, and drums are as important as the improvisations that follow. Although Hazeltine's holistic treatments evince a genuine respect for the melodies--indeed, the pianist frequently weaves snatches of the themes into his solos--there's something almost subversive about the liberties he takes ...

ALBUM REVIEW

David Hazeltine: Manhattan Autumn

Read "Manhattan Autumn" reviewed by Russ Musto

While too many critics continue to carp about the “reactionary ideology of neoconservative hardboppers” I take great pleasure in witnessing the constant development of the demanding art form and the astounding personal growth of the best of idiom’s progressive young players. Pianist David Hazeltine and the members of his excellent quartet, saxophonist Eric Alexander, bassist Peter Washington and drummer Joe Farnsworth, are unquestionably four of the finest purveyors of the genre, highly respected members of the jazz community whose dues ...


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