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Jazz Articles about Jim Hall

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Liner Notes

Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited

Read "Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited" reviewed by Chris May


Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, was not shy about coming forward with similar (questionable) claims. Evans was the first to meet Russell when, in late 1955, ...

13
Reassessing

The Easy Way

Read "The Easy Way" reviewed by Richard J Salvucci


It is fair to wonder how Jimmy Giuffre would be remembered had he not gone off on to the wilder shores of atonality, collective improvisation, and free jazz with Paul Bley and Steve Swallow in the early 1960s. It is easy to forget that Giuffre was regarded as a rising star, both as a multi-instrumentalist (he played tenor and baritone sax; clarinet was apparently a double for him) and a composer, in the 1950s. Yes, mentioned in the same breath ...

22
Building a Jazz Library

Joe Henderson, Bill Evans, Jim Hall: Buried Treasure from Germany's MPS Label

Read "Joe Henderson, Bill Evans, Jim Hall: Buried Treasure from Germany's MPS Label" reviewed by Chris May


Between its founding in 1968 and sale in 1983, the original incarnation of the recently revived German label MPS—the initials stand for Musik Produktion Schwarzwald (Music Production Black Forest)—notched up around five hundred releases. Some were recorded in the US by American musicians, many more were recorded in Europe and featured bands made up of European musicians and touring or temporarily resident Americans. In the late 1960s and 1970s, the label was an important part of continental Europe's jazz scene. ...

6
Multiple Reviews

CTI on BGO

Read "CTI on BGO" reviewed by Jakob Baekgaard


"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming electric, but the question was if jazz didn't get lost in translation? To Taylor the mission was simple. He wanted to bring jazz into ...

17
Interview

Jim Hall: Live, Now and Then

Read "Jim Hall: Live, Now and Then" reviewed by Bob Kenselaar


[ This interview was originally published on July 16, 2013. ] Widely acknowledged as one of the most influential guitarists in modern jazz, Jim Hall has had an extraordinary musical career that spans more than half a century. His style is marked not by soaring speed or virtuoso technique but by his explorative artistry in improvisation, his solos' beautiful melodic and harmonic construction and his warm and rich tone. His discography includes more than three dozen ...

4
Jazz Poetry

The Answer is Jim

Read "The Answer is Jim" reviewed by William DeLancey Adamson


The freshening breeze slides off the shadowed slope past the warming land the sand the sapphire bay then smacks the spinnaker with its surging power and suddenly we're flying! through the spray and fiery sun down to Aruba with you Jim on your music Oh I can't get started any more it's no use when I heard your name on the radio today my ...

Album Review

Jim Hall: Live at Birdland

Read "Live at Birdland" reviewed by AAJ Italy Staff


L'etichetta indipendente ArtistShare si sostiene finanziariamente con contributi economici versati da una comunità aperta di musicisti e di appassionati di jazz e festeggia i suoi dieci anni di attività con un disco dal vivo del socio più maturo: il sempre giovane di spirito Jim Hall, ripreso al Birdland, col suo quartetto, nelle serate del 10 e 11 novembre del 2010. Hall è nato a Buffalo, città situata oltre 500 km a nord- ovest di New York, il 4 dicembre del ...


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