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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

LIVE REVIEWS

Barry Guy's Blue Shroud Band at Aghavannagh Barracks

Read "Barry Guy's Blue Shroud Band at Aghavannagh Barracks" reviewed by John Sharpe

Barry Guy Blue Shroud Band Aghavannagh Barracks Wicklow, Ireland August 14-15, 2019 Have you ever wondered what goes into a performance? For some it might just be a quick run through of familiar standards, while for free improvisers any prep at all might be anathema. But for a large ensemble rehearsal is pretty much essential. Even more so when it comprises 14 musicians from nine countries who don't get together on a regular basis, as ...

LIVE REVIEWS

Not Two...But Twenty! Festival

Read "Not Two...But Twenty! Festival" reviewed by John Sharpe

Not Two...But Twenty! Festival Wlen, Poland September 21-23, 2018 Intro There are some things worth celebrating in style, one of them being marked persistence in the face of adversity. That pretty much describes the continued existence of any jazz record label in these straitened times. To mark its 20th anniversary, Not Two Records convened an unprecedented line up of thirteen musicians from nine countries for a three day festival in the small village ...

LIVE REVIEWS

Barry Guy & Izumi Kimura At The Hugh Lane Gallery, Dublin

Read "Barry Guy & Izumi Kimura At The Hugh Lane Gallery, Dublin" reviewed by Ian Patterson

Barry Guy & Izumi Kimura The Hugh Lane Gallery Dublin, Ireland March 12, 2017 The Hugh Lane Gallery has been hosting free Sunday afternoon concerts in Dublin for over forty years--a remarkable feat by any yardstick. It's the quality of the music, however, that makes this weekly event something truly special. This Sunday saw Barry Guy and Izumi Kimura together for the first time, as part of the inaugural Spectrum festival, a weekend celebration of ...

ALBUM REVIEWS

Barry Guy / Marilyn Crispell / Paul Lytton: Deep Memory

Read "Deep Memory" reviewed by John Sharpe

Bassist Barry Guy took a key role in pianist Howard Riley's groundbreaking trio in the late 60s, early 70s. And while that early experience has in no way defined him, it means it perhaps comes as less of a surprise that he has increasingly turned to the format in the latter part of his career. One offs apart, the two enduring piano trio vehicles for the bassist are the Aurora Trio with Agusti Fernandez and Ramon Lopez, and the accomplished ...

ALBUM REVIEWS

Barry Guy: The Blue Shroud

Read "The Blue Shroud" reviewed by John Sharpe

In some ways, The Blue Shroud might be Barry Guy's signature work. It's the first to unite his varied interests in Baroque music, composition, jazz and improv at an orchestral scale. To do so Guy assembles a 14-strong crack unit capable of interpreting each aspect to the highest level, including several early music specialists who are also able to extemporize. And Guy's topic is worthy of such endeavor. He takes as his inspiration three interlinked themes, the ...

ALBUM REVIEWS

Barry Guy / Ken Vandermark: Occasional Poems

Read "Occasional Poems" reviewed by John Sharpe

For British bassist Barry Guy the concert that produced this fine double disc package occurred at the end of a four day intensive residency in Krakow culminating in the premier of an ambitious new work by his Blue Shroud Band. While for Chicago reedman Ken Vandermark, the event was the final episode in two months on the road. But whether relief or exhaustion were the dominant feelings, neither resulted in any lowering of standards or resting on laurels. Occasional Poems ...

PROFILES

Barry Guy: Back to the Drawing-Board (Part 3)

Read "Barry Guy: Back to the Drawing-Board (Part 3)" reviewed by Duncan Heining

Part 1 | Part 2 | Part 3 One of the things which may strike the listener on hearing the London Jazz Composers' Orchestra for the first time is just how much volume Guy is able to draw from just seventeen to twenty players. Some other big bands sound almost insipid in comparison. There is something about the way the composer is able to harness the power of his individual musicians and magnify it to something of symphonic ...


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