Jazz Articles about John Gunther

About John Gunther

Album Review

Accade spesso nel jazz che dagli incontri estemporanei nascano le cose migliori. Il bandleader e arrangiatore Ben Markley e il batterista Ari Hoenig si sono conosciuti nel 2019 in un jazz festival del Texas. Da quell'incontro è nato questo progetto discografico, che ha visto Markley orchestrare le composizioni di Hoenig per la big band che guida a Denver. Il batterista è ospite dell'ensemble e dà il suo contributo con un vivace e articolato sostegno ritmico. L'album è stato registrato nel ...

Album Review

Ted Piltzecker: Vibes on a Breath

Read "Vibes on a Breath" reviewed by Jack Bowers

by Jack Bowers
September 22, 2023

Even though Ted Piltzecker is a splendid vibraphonist and ushers a group of Colorado's leading jazz musicians through its paces on Vibes on a Breath, it is his sparkling arrangements that carry the day on this delightful new album. Several members of Piltzecker's septet double, and he makes the most of that versatility, writing charts that bring to the fore John Gunther's bass clarinet, Wil Swindler's baritone sax and (on the closing number) Judith Leclair's bassoon and Javier Diaz's percussion. ...

Album Review

Ben Markley Big Band: Ari's Funhouse

Read "Ari's Funhouse" reviewed by Jack Bowers

by Jack Bowers
May 15, 2022

Ari's Funhouse, recorded in July 2021, sprang from a chance encounter at a Texas jazz festival in 2019 between New York-based drummer & composer Ari Hoenig and Denver-based pianist & arranger Ben Markley. After performing with Hoenig in a small group, Markley asked if he might score some of Hoenig's songs for a big band. Hoenig readily agreed, and after a lengthy Covid-induced pause, he and Markley's band finally met face-to-face in Denver to record the album. Two things are ...

Album Review

John Gunther Trio: In This World

by Jeff Stockton
May 17, 2005

The CIMP label has established a sound as distinctive as Blue Note's was in the '60s, but its artistic stance, outlined in the “Statement of Purpose printed on the tray card of each release, causes as much consternation and controversy as the “ECM Sound did in the '70s. Recorded directly to two tracks, in real time and with no post-recording refinement, the objective is to recreate the experience of a private concert. Loud passages may be a little too loud; ...