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PROFILES

Milford Graves: Time Piece

Read "Milford Graves: Time Piece" reviewed by Marc Medwin

"Don't tell me how many years you've been doing something." Milford Graves's delivery is surprisingly restrained given the directness of his statement. “I want to know how completely you're filling that time, how you're spending each nanosecond." The statement defines the energy and vitality that this extraordinary musician brings to every aspect of his artistic life. To label Graves as one of the pioneers of free jazz is to define his work in far too narrow a scope. ...

ALBUM REVIEWS

Anthony Braxton / Milford Graves / William Parker: Beyond Quantum

Read "Beyond Quantum" reviewed by Troy Collins

An unprecedented free jazz summit meeting of the highest order, Beyond Quantum features composer/multi-instrumentalist Anthony Braxton, percussionist Milford Graves and bassist William Parker in an impromptu blowing session recorded at Bill Laswell's studio.

Anthony Braxton has been enjoying a well-deserved resurgence in popularity, courtesy of a growing discography that features collaborations with former students turned rising stars including Taylor Ho Bynum, Mary Halvorson and Jessica Pavone. William Parker has been a galvanizing force in the international scene as ...

ALBUM REVIEWS

Milford Graves: Percussion Ensemble

Read "Percussion Ensemble" reviewed by Lyn Horton

Fulfilling Bernard Stollman's prescient request to record for his label, Milford Graves decided to enlist Sunny Morgan as a drumming partner for Percussion Ensemble. Graves did so purposefully; the duo percussionists were making more than music. They were calling up their heritage at a time when Black Americans were teetering on the fulcrum of American cultural consciousness.

The music defies stereotyping. It is not concerned with keeping time or playing riffs. Rather, the two players are just talking in “drum" ...

INTERVIEWS

A Fireside Chat with Milford Graves

Read "A Fireside Chat with Milford Graves" reviewed by AAJ Staff

If you like the 'free jazz' or 'avant-garde' or 'loft' or 'downtown' or whatever other bullshit name they give this music, you are a fan of Milford Graves. You may not know it, but you are. Much like Henry Grimes, Graves is one of those musicians that those in the know, know and those in the, well, not know, don't. Albert Ayler's Love Cry, that's Graves. The killing ESP sessions, New York Art Quartet, Barrage, Giuseppi Logan Quartet, and Lowell ...


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