Jazz Articles about Wycliffe Gordon

Wycliffe Gordon: What You Dealin' With?

by C. Andrew Hovan
April 2, 2023

Privy to the entire history of jazz trombone via the technological age in which we live, Wycliffe Gordon seems to have utilized this information in such a way that his own playing displays elements from various periods and a technical competence that is indeed remarkable. “I was most familiar, at first, with guys who played with Louis Armstrong, namely Trummy Young or Kid Ory and later on Jack Teagarden," says Gordon about the early years in his development. “Later I ...

Diane Marino: I Hear Music

by Nicholas F. Mondello
November 26, 2022

"I Hear Music," from Nashville-based vocalist, pianist and arranger Diane Marino, is a twelve-track retrospective of selections--famous and not so--drawn from the Songbook, as well as being associated with such great artists as Dakota Staton, Ella Fitzgerald, Anita O'Day, and others. The opener, the rarely heard “I Hear Music," is Marino's fine upbeat take on an old Burton Lane & Frank Loesser tune from a forgetable pre-WWII film, “Dancing on a Dime" (Paramount Pictures, 1940). It is ...

NYO Jazz: We're Still Here

by Jack Bowers
October 14, 2022

The “NYO" in NYO Jazz is shorthand for National Youth Orchestra, a marvelous concept that should be cloned and shipped to as many cities, towns and villages as possible. NYO, comprising carefully chosen musicians, ages 16 to 19, from across the U.S.A. is based at Carnegie Hall's Weill Music Institute in New York City, and We're Still Here marks its first full-length recording. The NYO's artistic director is trumpeter, composer and educator Sean Jones who is featured ...

Wycliffe Gordon & Vincent Gardner At The Jazz Corner

by Martin McFie
November 12, 2019

Wycliffe Gordon & Vincent Gardner The Jazz Corner Hilton Head Island, SC November 8-9, 2019 Wycliffe “Pinecone" Gordon is an Armstrong-styled horn player and has won a Louie award to prove it. He displayed that same laid-back behind the beat timing as Louis Armstrong, which belied the clarity of phrasing and true importance weighted on every single note. He began on Yamaha tenor trombone with Duke Ellington's “It Don't mean a thing (If It ...

Wycliffe Gordon: What This is All About

by Esther Berlanga-Ryan
September 1, 2010

Versatility is an important part of a well-developed artistic soul. The arts provide a wide range of outlets of expression that can be nurtured and grown into their finest results. Music could very well be a reason to believe in the extraordinary, and jazz musicians are no exception; they might even be a norm. It is the dream of every artist to create freely, as improvised notes are gathered in an instrument and then exposed to the world at a ...

Wycliffe Gordon: Keeping the Spirit and the Letter Alive

by Marcia Hillman
September 16, 2009

Wycliffe Gordon is one of the busiest jazz trombone players in the business today. He has traveled the world performing with the Wynton Marsalis Septet and Lincoln Center Jazz Orchestra, under his own name and as a duo with Jay Leonhart. As an educator he has performed and taught master classes at various schools.

All About Jazz: You started trombone at age 12. Did you study music formally? Wycliffe Gordon: I started trombone ...

Wycliffe Gordon / Eric Reed: We 2

by Jim Santella
November 5, 2007

WyclifWycliffe Gordon and Eric Reed give one of the best jazz performances of 2007 in this expressive and highly creative program of eleven familiar pieces. Armstrong, Ellington, Sinatra, Monk and Stevie Wonder are represented with deep respect and musical purity; yet, both artists carve into the modern mainstream with free-flowing thoughts. Gordon and Reed came onto the modern jazz scene at about the same time, but from different geographical directions. Musically, they've pursued the same goals while ...