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Album Review

Ben Markley: Ari's Funhouse

Read "Ari's Funhouse" reviewed by Angelo Leonardi


Accade spesso nel jazz che dagli incontri estemporanei nascano le cose migliori. Il bandleader e arrangiatore Ben Markley e il batterista Ari Hoenig si sono conosciuti nel 2019 in un jazz festival del Texas. Da quell'incontro è nato questo progetto discografico, che ha visto Markley orchestrare le composizioni di Hoenig per la big band che guida a Denver. Il batterista è ospite dell'ensemble e dà il suo contributo con un vivace e articolato sostegno ritmico. L'album è stato registrato nel ...

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Liner Notes

Joe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola

Read "Joe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola" reviewed by John Kelman


It's one thing to have an established `place in the jazz pantheon, another to continue redefining that position, long after others might be content to rest on their laurels. Joe Chambers' work behind the drum kit with artists including Andrew Hill, Bobby Hutcherson, Wayne Shorter, Freddie Hubbard, Charles Mingus, and McCoy Tyner has already ensured a prominent place in jazz history. His output as a leader may be small, but he's delivered two outstanding Savant recordings in 2006's The Outlaw ...

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Album Review

Ben Markley Big Band: Ari's Funhouse

Read "Ari's Funhouse" reviewed by Jack Bowers


Ari's Funhouse, recorded in July 2021, sprang from a chance encounter at a Texas jazz festival in 2019 between New York-based drummer & composer Ari Hoenig and Denver-based pianist & arranger Ben Markley. After performing with Hoenig in a small group, Markley asked if he might score some of Hoenig's songs for a big band. Hoenig readily agreed, and after a lengthy Covid-induced pause, he and Markley's band finally met face-to-face in Denver to record the album. Two things are ...

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Album Review

South Florida Jazz Orchestra: Cheap Thrills: The Music Of Rick Margitza

Read "Cheap Thrills: The Music Of Rick Margitza" reviewed by Jack Bowers


In 2019, the acclaimed Michigan-bred, Paris-based tenor saxophonist Rick Margitza thought he was being asked to contribute a couple of charts to the University of South Florida Jazz Orchestra's fifth recording in its fifteen-year history as a working ensemble. But when SFJO founder and leader Chuck Bergeron looked at the charts he had an even better idea, and asked Margitza to write and / or arrange everything on the album, which thus became Cheap Thrills: The Music of Rick Margitza. ...

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Album Review

South Florida Jazz Orchestra: Cheap Thrills: The Music Of Rick Margitza

Read "Cheap Thrills: The Music Of Rick Margitza" reviewed by Pierre Giroux


The concept of a large, tightly-knit big band in a recording studio, on a concert or jazz club stage may just be a plug-in memory in today's environment. Fortunately there is the fifteenth anniversary recording of The South Florida Jazz Orchestra directed by bassist/bandleader Chuck Bergeron, entitled Cheap Thrills: The Music Of Rick Margitza, to remind us what a disciplined inventive big band sounds like. With the exception of George and Ira Gershwin's “Embraceable You," all the other ...

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Album Review

Maria Schneider Orchestra: Data Lords

Read "Data Lords" reviewed by Angelo Leonardi


C'è molto da dire sul nuovo album di Maria Schneider ma la prima e più importante considerazione riguarda la musica: sorprendente per ricchezza e novità di soluzioni, tensione narrativa e sintesi tra ricerca e tradizione. È uno dei suoi dischi più avvincenti e innovativi. L'incubazione del progetto è durata alcuni anni (il precedente The Thompson Fields è del 2015) e si lega alla presa di coscienza della bandleader sui pericoli connessi alla raccolta dei dati personali dalle società dell'universo digitale. ...

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Album Review

Maria Schneider: Data Lords

Read "Data Lords" reviewed by Pat Youngspiel


Well someone doesn't seem too happy with the digital world. But that's nothing new for Maria Schneider. The Grammy-award winning composer and bandleader has been an outspoken critic of copyright abuses in the digital and streaming world of music for the biggest part of the last decade. On her newest effort, she sets her justified quarrels with the industry to music by juxtaposing the cold world of ones and zeroes, comprised on the first CD titled “The Digital World," in ...


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