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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

BOOK REVIEW

The Musician's Lifeline: Advice for All Musicians, Student to Professional

Read "The Musician's Lifeline: Advice for All Musicians, Student to Professional" reviewed by Mark Sullivan

The Musician's Lifeline: Advice for All Musicians, Student to Professional Peter Erskine & Dave Black 191 Pages ISBN: # 978-1-4706-4247-1 (13) Alfred Music 2019 Peter Erskine and Dave Black are both drummers: their previous collaboration was The Drummer's Lifeline: Quick Fixes, Hacks, and Tips of the Trade (Alfred Music, 2017). For this book they wanted to build on that success, but since it is intended for all musicians, they worked to bring other, ...

BOOK REVIEW

The Musician's Lifeline: Advice for All Musicians, Student to Professional

Read "The Musician's Lifeline: Advice for All Musicians, Student to Professional" reviewed by Jim Worsley

The Musician's Lifetime Peter Erskine & Dave Black 191 pages ISBN-10: 1-4706-4247-6 Alfred Music 2019 In 2017 drummers Peter Erskine and Dave Black co-authored a book entitled The Drummer's Lifeline. The purpose of the book was to share their paired expertise of the profession. Written in a thoroughly entertaining and accessible format, the book is engaging and tailored to be advantageous for any and all drummers, student to professional.

SOCAL JAZZ

Peter Erskine: Up Front, In Time, and On Call, Part 2

Read "Peter Erskine: Up Front, In Time, and On Call, Part 2" reviewed by Jim Worsley

Part 1 | Part 2 This past February Peter Erskine greeted me at his studio with a warm smile and welcoming handshake. Nearly two hours later we had discussed many aspects of his long and storied career. We talked at length about his experiences with Jaco Pastorius, Wayne Shorter, and Joe Zawinul in Weather Report, and his subsequent book, No Beethoven, that chronicles and fuses it in time. Even the amusing aside as to how that title came ...

RADIO

Fusion Frenzy?

Read "Fusion Frenzy?" reviewed by Patrick Burnette

We think of fusion as a music of the seventies, but its traditions live on today as various artists return to the genre to try out new experiments as well as offer their own spins on older approaches. This podcast looks at two somewhat uncharacteristic examples of fusion from the seventies—one a studio-band workout on pop tunes of the day, the other an extension of the Miles Davis / Herbie Hancock schools of fusion, then look at two recent releases ...

SOCAL JAZZ

Peter Erskine: Up Front, In Time, and On Call, Part 1

Read "Peter Erskine: Up Front, In Time, and On Call, Part 1" reviewed by Jim Worsley

Part 1 | Part 2Peter Erskine is affable, engaging, and humorous. He, of course, is also one of the finest drummers of his generation. He has left his mark on the jazz and fusion world for nearly fifty years now. An icon, whose name is mentioned with the greats of all time, Erskine continues to gift us as he forges ahead by crafting new music, sharing his knowledge and expertise with aspiring young musicians, and continuing to reinvent ...

IN PICTURES

Peter Erskine Group at the 2017 Ospedaletti Jazz Festival

Read "Peter Erskine Group at the 2017 Ospedaletti Jazz Festival" reviewed by Carlo Mogavero

The Peter Erskine Group was the highlight of the 2017 Ospedaletti Jazz Festival on August 4th in the Liguria region of Italy. Held at an amphitheater of a local park, the sold out show was attended by jazz fans from as far away as neighboring France. The band was comprised of Peter Erskine (drums), John Beasley (keyboards), Bob Sheppard (saxophone), and Benjamin Shepherd (bass). Erskine's remarkable resume includes time with the Stan Kenton Orchestra, Weather Report, Chick Corea, Gary Burton, ...

ALBUM REVIEW

Peter Erskine New Trio: In Praise of Shadows

Read "In Praise of Shadows" reviewed by Dave Wayne

Expecting the delicately brooding pastel hues of his piano trio recordings for ECM Records, my socks were pleasantly knocked off from the git-go by Peter Erskine's New Trio. In Praise of Shadows opens with a slyly sweet, reggae-infused rendition of “Sukiyaki," a Japanese folk tune that became a surprise novelty hit for Kyu Sakamoto back in 1963. Erskine's version, featuring guest Judd Miller on electronic whistling, hints at the deeper meaning of the song, whose title--literally translated--means “I Look Up ...


ENGAGE

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