Articles | Popular | Future

ALBUM REVIEWS

Marty Ehrlich: Trio Exaltation

Read "Trio Exaltation" reviewed by Troy Dostert

After his previous release, 2013's magnificent big-band disc A Trumpet in the Morning (New World Records), it was unclear whether multi-instrumentalist Marty Ehrlich would continue down the path of large-scale composition or return to the small-to-medium-sized ensembles he's used for most of his recorded output over the years. Well, he's gone small all right: all the way down to a trio, something he's not done since 2000, when he teamed up with Andrew Cyrille and Mark Dresser on C/D/E (Jazz ...

ALBUM REVIEWS

Funk Off: Things Change

Read "Things Change" reviewed by Alex Franquelli

The whole point, when it comes to marching bands, is that they have to well, stroll around while playing their instruments. I guess, you guess, that the whole point is lost on CD, where the mono-dimensional (time) facet of the spectrum monopolises the dynamics of the whole. Things Change makes obviously no exception, but does it matter? Not at all. The range of influences at play here is-- by itself--praiseworthy and laudable; the magnitude of their individual skillsets reveals a ...

EXTENDED ANALYSIS

Marty Ehrlich: A Trumpet In The Morning

Read "Marty Ehrlich: A Trumpet In The Morning" reviewed by Dan Bilawsky

A Trumpet In The Morning is a first for multi-reedist Marty Ehrlich; it's the first album completely dedicated to his large group works and the first album under his name that's basically directed by his hand rather than his horn(s). The intrepid Ehrlich, who fell under the sway of St. Louis' Black Artists Group (BAG) in his formative years and fell in with the AACM crowd when he arrived in New York in the late '70s, has been putting out ...

ALBUM REVIEWS

Marty Ehrlich's Rites Quartet: Frog Leg Logic

Read "Frog Leg Logic" reviewed by Troy Collins

The premier of Marty Ehrlich's Rites Quartet, Things Have Got To Change (Clean Feed, 2009), featured the venerable multi-instrumentalist's engaging originals bolstered by a handful of previously unrecorded pieces by his mentor, the late Julius Hemphill (1938-1995). Drawing on Hemphill's seminal work in the St Louis-based Black Artists' Group (BAG), and his innovative writing for the World Saxophone Quartet, Ehrlich has proven to be one of the legendary saxophonist's most ardent devotees, leading Hemphill's self-titled saxophone sextet after his passing.

ALBUM REVIEWS

Marty Ehrlich: Things Have Got To Change

Read "Things Have Got To Change" reviewed by Stuart Broomer

The clarity that's so immediately apparent in Marty Ehrlich's alto sound permeates his work, so that there's a quality at once naked and luminous in the music heard here. The quartet with trumpeter James Zollar, cellist Erik Friedlander and drummer Pheeroan akLaff and the concept harkens back to the early Ornette Coleman Quartet, each member committed to an intense lyricism, an insistence on the emotional power of blues and hymn. There are moments in the opening “Rites Rhythm" that even ...

ALBUM REVIEWS

Marty Ehrlich Rites Quartet: Things Have Got To Change

Read "Things Have Got To Change" reviewed by Troy Collins

One of the seminal artists of the New York Loft jazz scene, composer and multi-instrumentalist Julius Hemphill (1938-1995) left a diverse legacy that lives on through the tireless efforts of saxophonist Tim Berne and multi-instrumentalist Marty Ehrlich. Hemphill's earthy forays with cellist Abdul Wadud in the early seventies broke new stylistic ground, unapologetically drawing inspiration from funk, soul and R&B. His inventive writing for unconventional instrumental combinations was further realized as a founding member of the World Saxophone Quartet and ...

ALBUM REVIEWS

Marty Ehrlich / Myra Melford: Spark!

Read "Spark!" reviewed by Matthew Miller

Multi-reedist Marty Ehrlich and pianist Myra Melford share more than a virtuosic touch and rugged lyricism. Their work embodies a single-minded approach to duo playing that lends an air of cohesion to the most abstract improvisation, allowing their ideas to blend to the point where Ehrlich's tone becomes a growling, vibrato-laden extension of Melford's sensitive voicings and provocative counterpoints or a serene answer to one of the pianist's jarring exclamations. Spark! opens and closes with “Hymn, a ...


ENGAGE!

Enter our contest giveaways

Contest Giveaways

Enter our contests with a single button click and win a chance at albums or concert tickets.

Contest Guidelines

Reader's Poll: Have a favorite record label or labels? Let us know.

Favorite Record Labels Poll

From legendary labels like Blue Note and Verve to independent imprints, vote for your favorites.

More Polls

Super search project underway

Publisher's Desk

Stay current on website improvements, new features, handy tips, and more.

MORE POSTS | YEAR IN REVIEW

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.