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Tim Lin: Empathy
by Jack Bowers
Saxophonist Tim Lin, still fresh enough on the scene to be described as a “young lion," tips his horn to a number of his mentors on Empathy, his second album as a leader, following 2021's Romance on Formosa. As on that earlier album, Lin, a first generation Taiwanese-American (from Fremont, CA), has chosen a charming blend of standards and jazz staples to complement a lone original composition, “Fourth Right," by the superb pianist Andy LaVerne. And as before, Lin plays ...
read moreSkip Grasso: Becoming
by Jack Bowers
If guitarist Skip Grasso's name was not so prominently displayed on the album cover, a listener would be hard-pressed to ascertain that Becoming was his gig. Yes, Grasso does bring a lot to the table, but no more than pianist Anthony Pocetti, bassist Harvie S or drummer Billy Drummond who together round out Grasso's impressive quartet. Grasso has chosen an interesting title for the album, as “becoming" can mean “a process of change" or “gee, that looks ...
read moreElectric and Eclectic
by Patrick Burnette
The newest of the new. That's what our podcast brings you, sometimes, anyway, and this episode features four bangers from brand-spankin' 2022. Three of the four offer some “fusion" elements of one kind and another, and the other Mike keeps at arm's length because it edges him into the Jackie attack zone, and long-time listeners know that's not where he likes to be. Also, the boys threaten to eat Pandas, so there's that.Playlist Discussion of Joy Lapps' album ...
read moreBilly Drummond and Freedom of Ideas: Valse Sinistre
by Jack Bowers
As one of the world's foremost jazz drummers, Billy Drummond manages to keep busy--so much so that Valse Sinistre, recorded in November 2021, is his first album as leader in more than twenty-five years, following the critically acclaimed Dubai from 1996. This time around, Drummond is at the helm of his Freedom of Ideas quartet: Micah Thomas on piano; Dezron Douglas on bass; and Dayna Stephens on saxophones. Even though he is the nominal leader, Drummond doesn't ...
read moreVicki Burns: Lotus Blossom Days
by Richard J Salvucci
Who knew “Del Sasser" had lyrics? Part of the joy of listening to new recordings is finding such things out. And Vicki Burns does a convincing job of it. In this intriguing compilation of standards--yes, musicians can record from the Great American Songbook (GAS) without disgracing themselves, no matter what anyone says--bop heads and originals, Vicki Burns acquits herself admirably. She is solid evidence that the singer makes the song, rather than the other way around. ...
read moreVicki Burns: Lotus Blossom Days
by Jeff Winbush
Whatever else can be said about jazz, there is little disagreement that it is best experienced in a live setting. Listening to Vicki Burns' Lotus Blossom Days is as close to a front-row seat in a New York nightclub as many of us are likely to get in these times of high fuel costs and crowded airports. Burns is not attempting to blow the roof off with vocal gyrations and tricks. She never oversings as she tries to ...
read moreAdam Shulman: Just The Contrafacts
by Pierre Giroux
For those who may be scratching their heads about the word contrafact, in the jazz medium it designates a musical composition in which a new melody is overlaid on a familiar harmonic structure. This form really became prominent in the bebop era, where the artists (who were generally short of financial resources) could create new compositions over which they could improvise and record without worrying about paying royalties for copyrighted materials. During the depths of the ...
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