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RADIO

Hard Bop Trumpet - Kenny Dorham, Dizzy Reece, Blue Mitchell (1962 - 1964)

Read "Hard Bop Trumpet - Kenny Dorham, Dizzy Reece, Blue Mitchell (1962 - 1964)" reviewed by Russell Perry

This is the final hour of a four-part sequence featuring important tenor players and trumpeters who propelled hard bop into the 1960s. In this hour, we will continue with the Trumpet Players, Part 2, featuring lesser-known players—unsung veteran Kenny Dorham who recorded with both Dizzy and Bird in the 1940s, London-based Jamaican trumpet player Dizzy Reece, and Blue Mitchell who got his start with Cannonball Adderley and had a long tenure in the Horace Silver Quintet in the early 1960s. ...

MULTIPLE REVIEWS

Music Matters: SRX Vinyl

Read "Music Matters: SRX Vinyl" reviewed by Greg Simmons

Music Matters, the vinyl reissue house known for it's long string of high-quality all-analog pressings of classic Blue Note records, has released a dozen additional titles just a year or so after completing what was supposed to have been their final offerings. The new records include some that Music Matters had released in earlier series, as well as new titles. All of them are being pressed on a new vinyl formula that purports quieter surfaces and improved resolution. The material, ...

MY BLUE NOTE OBSESSION

Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524

Read "Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524" reviewed by Marc Davis

I think I have a new favorite hard bop record. For many years, I considered Art Blakey and the Jazz Messengers the perfect hard bop band--the Beatles of the bop set. I still do. I don't know how Blakey managed to find the very best up-and-coming jazz musicians in America, year after year, but somehow he did. And somehow the various bands he put together, no matter who was in them, produced superlative 5-star records, year after year. ...

ALBUM REVIEW

Kenny Dorham: Una Mas

Read "Una Mas" reviewed by Greg Simmons

Trumpeter Kenny Dorham's Una Mas was one of 1963's best records. The thought of hearing it reissued on ultra-high quality vinyl by the good folks at Music Matters should make jazz heads swoon. With its melding of hard-bop, bossa nova, and the blues, Una Mas is a prime example of the memorable vamps that Blue Note favored at the time, finding ultimate success later that year with Lee Morgan's The Sidewinder. Dorham was a prolific recording artist for ...

ALBUM REVIEW

Kenny Dorham: Kenny Dorham - The Flamboyan, Queens, NY, 1963 - featuring Joe Henderson

Read "Kenny Dorham - The Flamboyan, Queens, NY, 1963 - featuring Joe Henderson" reviewed by Francis Lo Kee

Kenny Dorham's big splash in the bebop business was taking over the trumpet chair in Charlie Parker's Quintet. He then became one of the most productive members of the Blue Note community, and his composition “Blue Bossa" has since become a jazz standard. This excellent live set is another wonderful and important issue from Uptown Records. The copious notes describe how the young (and not-yet-well-known) tenor saxophonist Joe Henderson began his productive musical relationship with Dorham, and why this live ...

ALBUM REVIEW

Kenny Dorham: 'Round About Midnight at the Cafe Bohemia

Read "'Round About Midnight at the Cafe Bohemia" reviewed by Matt Marshall

There's a thickness to the sound of this 1956 Kenny Dorham set as reissued by Music Matters on two 45-rpm records--a density that blows from the speakers and settles in the room like smoke. Which is to say the fidelity of the Music Matters product proves itself as strong on live recordings as it has on their Blue Note studio reissues. Here, the club acoustics are palpable, requiring only the cracking of a favorite beverage to complete the scene.

Not ...

ALBUM REVIEW

Kenny Dorham: Kenny Dorham: Jazz Contrasts

Read "Kenny Dorham: Jazz Contrasts" reviewed by Samuel Chell

In the new liner notes included with this addition to the Keepnews Collection on Riverside, the producer expresses his satisfaction with this 1957 “blowing" album, showcasing the trumpeter whom, after Clifford Brown, he considers second to none. Recorded approximately a year following Brown's passing, the date demonstrates Dorham's gifts as a balladeer, composer and, above all, as a pyrotechnician--the kind of player who can take apart a song's chord structure and reconstruct it with surgical precision, even while operating at ...


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