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Jazz Articles about Stanley Cowell

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Album Review

Clifford Jordan: Drink Plenty Water and Walk Slow

Read "Drink Plenty Water and Walk Slow" reviewed by Pierre Giroux


Clifford Jordan, the iconic American jazz tenor saxophonist, has left an indelible mark on the world of jazz. Known for his dynamic playing style and innovative compositions, his album Drink Plenty Water and Walk Slow is a testament to his unparalleled musical prowess. The original album was recorded in 1974 for Strata-East as an LP but did not make it to the catalogue during this period. However, his wife, Sandy Jordan, unearthed this gem, which was remastered for presentation in ...

4
Album Review

Clifford Jordan: Drink Plenty Water

Read "Drink Plenty Water" reviewed by Dave Linn


In August 1974, Clifford Jordan entered the studio for what was to be the follow-up to his acclaimed 2-LP set, Glass Bead Games (1973) for his third album on the Strata-East label. Sadly, the label folded in 1975, and the album was never released. Now, 49 years later, Drink Plenty Water, has finally seen the light of day. It is a time capsule of that collaborative era when jazz stretched its boundaries. It features an all-star roster with a front ...

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Radio & Podcasts

Stanley Cowell, Gary Windo, Andrew Cyrille and More

Read "Stanley Cowell, Gary Windo, Andrew Cyrille and More" reviewed by Jerome Wilson


This show features several musicians who have passed on, such as Stanley Cowell and Gary Windo, as well as many who are still alive and performing such as Billy Mintz and Andrew Cyrille. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Zack Lober “Force Majeure" from No Filt3er (Zennez) 00:52 George Russell “Blues In Orbit" from Complete Albums Collection 1956-1964 (Enlightenment) ...

4
Album Review

Various Artists: John Sinclair Presents Detroit Artists Workshop

Read "John Sinclair Presents Detroit Artists Workshop" reviewed by Chris May


Valuable as both a curated chronicle of jazz history and as high-grade music, John Sinclair Presents Detroit Artists Workshop: Community, Jazz And Art In The Motor City 1965—1981 comprises around 70 minutes of live recordings by some of Detroit's finest sons along with an informative 24-page booklet. Among the musicians are trumpeters Donald Byrd and Charles Moore, reeds player Bennie Maupin and, resident in the city in the mid 1960s, pianist Stanley Cowell. The backstory: The Artists ...

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Album Review

Marion Brown: Why Not? Porto Novo! Revisited

Read "Why Not? Porto Novo! Revisited" reviewed by Chris May


Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name releases from 1967 onwards, Brown's work was deeply lyrical and embraced South Asian, Maghrebi and West African instruments and constructs. As bandleaders, the two ...

2
Album Review

Stanley Cowell: It's Time

Read "It's Time" reviewed by Greg Simmons


The durable piano trio, with bass and drums accompaniment, is one of the most frequently employed and time-tested combos in jazz. The competition is fierce to say anything new or noteworthy, with plenty of attempts that yield mixed results. So it's a great pleasure to hear Stanley Cowell's It's Time: a finely crafted collection of mostly originals that is at once sophisticated, both aggressive and pensive, and simply fascinating to listen to.It's Time uses melody, rhythm, and space ...

359
Album Review

Clifford Jordan: Glass Bead Games

Read "Glass Bead Games" reviewed by Robert Iannapollo


Perennially underrated saxophonist Clifford Jordan recorded two of his best albums for the Strata East label and Glass Bead Games is arguably his greatest recording and one of the great albums of the 1970s. Everything is right about this date; Jordan never sounded so good, his tone rich and full, his improvisatory ideas taking the models of Coltrane and Rollins and giving them his own twist. Recorded on a “stormy Monday, October 29, 1973," it was originally issued as a ...


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