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Marc Copland: And I Love Her

Read "And I Love Her" reviewed by John Kelman

There was a time when Marc Copland was releasing multiple albums every year, sometimes as many as three or four, like in 2009, when the veteran pianist (who began his musical life as a saxophonist) released his second solo piano album, Alone (Pirouet); an intimate duo date with veteran bassist Gary Peacock, Insight (Sketch); and the final entry in Copland's New York Trio triptych of piano trio recordings, Night Whispers (Pirouet). Times have changed, and while releases under ...

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New in 2019 - An Eclectic Mix

Read "New in 2019 - An Eclectic Mix" reviewed by Bob Osborne

An eclectic mix of recent releases covering a wide variety of styles and influences. Playlist Sarathy Korwar “Mumbay (feat. MC Mawali)" from More Arriving (Leaf) 00:00 Chris Lomheim, Michael O'Brien, Jay Epstein “Blue Talisman" from Triage (Shifting Paradigm) 06:00 Marc Copland “Gary" from Gary (Illusions Music) 14:00 Mark Dresser Seven “Black Arthur's Bounce (In Memory of Arthur Blythe)" from Ain't Nothing But a Cyber Coup and You (Clean Feed) 20:30 Scheen Jazzorkester & Thomas Johansson “As We ...

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Marc Copland: Gary

Read "Gary" reviewed by Dan McClenaghan

Pianist Marc Copland is the perfect interpreter of the music of bassist Gary Peacock. The artists' musical relationship began over three decades ago, and continues to this day. Peacock, best known perhaps for his long tenure in pianist Keith Jarrett's “Standards Trio," has played on numerous Copland recordings, including At Night (Sunnyside, 1992), Softly (Savoy Jazz, 1997), two out of the three of Copland's profile-boosting “New York Trio Recordings" on Pirouet Records, Modina ( 2006) and Voices (2007), and when ...

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Two Sides of Marc Copland: Quartet and Solo

Read "Two Sides of Marc Copland: Quartet and Solo" reviewed by Jakob Baekgaard

Anyone interested in discovering the fascinating story of pianist Marc Copland should start out by reading John Kelman's excellent article: “Marc Copland: Growth Through Collaboration" (2005). It follows the trajectory of an artist that has evolved immensely throughout his career, with the most radical change being the shift in instrument from saxophone to piano. This shift happened because Copland needed to express himself fully and discovered that the sounds that he heard were sounds for the piano rather than the ...

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Marc Copland: Nightfall

Read "Nightfall" reviewed by Mike Jurkovic

Elementally essential, Marc Coplandlate career resurgence/reemergence/renaissance continues undaunted with NightFall, the pianist's first all solo full length since Alone (Pirouet, 2010). In that span, some may have argued there's a huge head-space between Bill Evans and Keith Jarrett and some may have not, but either way Marc Copland commands the foreground. Scott Lafaro's moody elegy “Jade Visions" opens Nightfall with a challenging, yet infinitely knowing re-imagining, conjuring both Evans and LaFaro while sitting alone with his ...

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Marc Copland: Nightfall

Read "Nightfall" reviewed by Dan McClenaghan

Between 2006 and 2012 pianist Marc  Copland produced a rich discography on the Pirouet Records label. With a cast of top level sidemen—Gary Peacock, Paul Motian, John Abercrombie, Drew Gress, Billy Hart—he shaped up his distinctive sound and and lifted his profile into the stars. The year 2012 saw Copland's last Pirouet release, Some More Love Songs.  Then, in 2015, the fruit of the establishment of his own record label, InnerVoiceJazz, gave us Zenith, an excellent quartet set with trumpeter ...

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Marc Copland: Better By Far

Read "Better By Far" reviewed by Dan McClenaghan

Marc Copland got his start in jazz in New York City as a sometimes plugged-in alto saxophonist, working with drummer Chico Hamilton's Quartet, and releasing an overlooked album, Friends (Oblivion Records, 1973) featuring his own quartet. Then he went away, and came back as a pianist, and has since shaped himself into one of finest jazz piano guys around, an artist with a supple touch, a feel for intricately gorgeous melodies and a deep immersion into complex harmonies.

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Marc Copland: Zenith and Haunted Heart

Read "Marc Copland: Zenith and Haunted Heart" reviewed by John Ephland

Zenith InnerVoice Jazz 2016 There's some shared, ongoing history here. Between drummer Joey Baron and bassist Drew Gress, pianist Marc Copland has logged some pretty decent music time. Add trumpeter Ralph Alessi and there's a new element, one not found in the rhythm section's work with guitarist John Abercrombie or in the trio where Copland and Baron find themselves with bassist Gary Peacock. And Copland has also worked with the drummer and bassist in his own ...

BAILEY'S BUNDLES

Jazz Quanta March — Five Pianos: Marc Copland, Bill Stewart, Julian Shore, Bob Wijnen, Pablo Held

Read "Jazz Quanta March — Five Pianos:  Marc Copland, Bill Stewart, Julian Shore, Bob Wijnen, Pablo Held" reviewed by C. Michael Bailey

Okay, Okay...OKAY! Bill Stewart is not a pianist, but his long-time collaborator Bill Carrothers is, so, LAY OFF! Marc Copland Zenith Inner Voice Jazz 2015 Pianist Marc Copland composes with a certain use of darkness, an updated musical version of Caravaggio's use of chiaroscuro in painting. Copland is aided in his alchemic light-shifting by his regular bassist Drew Gress and drummer Joey baron. Joining the trio is trumpeter Ralph Alessi, ...

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Marc Copland: Zenith

Read "Zenith" reviewed by Budd Kopman

Whenever pianist Marc Copland is a sideman on a session, much less leading the session, there are very high expectations for the music. Whether it is the lustrous sound he gets from the keyboard, which includes his pedalling, the dense harmonies which create shimmering harmonics or the intelligence of his lines and compositions, Copland has a unique voice and musical personality. Zenith meets and exceeds any expectations one might have; it is a joy to listen from many ...

ALBUM REVIEWS

Marc Copland: Zenith

Read "Zenith" reviewed by Dan McClenaghan

After releasing a series of excellent but under-recognized CDs on various small record labels--starting in the mid-1980s--pianist Marc Copland rose in prominence in 2006 when he took up residence on Germany's Pirouet Records. The highlight of his Pirouet days was a set of trio discs wrapped in a marketing package dubbed “The New York Trio Recordings." Modinha (2006); Voices (2007); and Night Whispers (2008), with a shifting set of band mates: Gary Peacock or Drew Gress on bass, Paul Motian ...

BAILEY'S BUNDLES

Marc Copland in Love

Read "Marc Copland in Love" reviewed by C. Michael Bailey

Pianist Marc Copland has previously released popular and well-received trio recordings in series, most recently New York Trio Recordings Vol. 1: Modinha (Pirouet, 2006), New York Trio Recordings Vol. 2: Voices (Pirouet, 2008) and New York Trio Recordings Vol. 3: Night Whispers (Pirouet, 2009). But he has an ensemble association with bassist Drew Gress and drummer Jochen Rueckert that has produced another impressive trio of recordings since the new millennium, if creative assembly is allowed for. The ...


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